Homilies on the Statues records Chrysostom preaching to Antioch during a civic emergency in 387. After unpopular imperial taxes provoked unrest, a crowd in Antioch insulted and damaged statues of Emperor Theodosius and his family.
Genre
Sermons
Augustine's Homilies on the Gospel of John are pastoral expositions of one of Christianity's most theologically dense texts. Preached to a congregation rather than composed as a detached treatise, they move through John's prologue, signs, discourses, passion narrative, resurrection appearances, and final scenes with Peter and the beloved disciple.
Bernard's Sermons on the Song of Songs are among the central monuments of medieval monastic spirituality. They do not offer a continuous modern commentary on every verse.
Selected Sermons and Reformation Treatises gathers the Luther who speaks from pulpit, classroom, controversy, and pastoral desk. The center is not one genre but a reformatory voice: the Ninety-Five Theses against indulgence abuse, The Freedom of a Christian, sermons on faith and good works, catechetical teaching, and occasional writings shaped by conflict.
Latimer's Selected Sermons bring the English Reformation into a rough, vivid, public idiom. Unlike a systematic theologian, Latimer often sounds like a moral witness standing before court and commons at once.
Calvin's Selected Sermons present the Reformation as disciplined exposition rather than only protest. Preaching in Geneva, Calvin moved sequentially through biblical books, applying Scripture to doctrine, worship, civic life, household conduct, suffering, and church reform.
Donne's Sermons and Devotions upon Emergent Occasions bring the metaphysical imagination into pulpit and sickroom. The sermons, including Death's Duel, display a preacher fascinated by mortality, judgment, resurrection, the body, and the unstable boundary between private self and Christian community.
Whitefield's Selected Sermons preserve the voice of the eighteenth century's most famous evangelical itinerant. His preaching emphasized new birth, heartfelt conversion, human sin, Christ's mercy, and the immediate demand that hearers respond.
This paired entry sets Jonathan Edwards's most famous terror sermon beside his narrative of revival in Northampton and neighboring towns. Sinners in the Hands of an Angry God is often remembered for its imagery of danger, wrath, and suspended judgment, but its structure is theological before it is theatrical.
Wesley's Sermons on Several Occasions and Primitive Physick make an unusually strong pairing for a medical classics library. The sermons define Methodist teaching on salvation, new birth, sanctification, practical holiness, the means of grace, Christian perfection, money, self-denial, and social responsibility.
Early Black Church Sermons and Addresses is an anthology concept rather than one single-author book: it gathers public religious speech from Black Christian leaders before 1950, using only public-domain sermons, convention addresses, ordination sermons, and printed appeals. Its center is the Black church as pulpit, school, refuge, protest platform, mutual-aid network, and political institution.
Lectures on Revivals of Religion is Finney's manual of revival as method. Where Edwards treats awakening as a surprising work to be interpreted cautiously, Finney argues that revivals are not miracles in the sense of being beyond means.
Spurgeon's Selected Sermons show Victorian evangelical preaching at industrial scale. Week by week, his sermons moved from pulpit to print, reaching readers far beyond the Metropolitan Tabernacle.
Moody's Selected Sermons represent revival preaching after the Civil War, in the age of railroads, urbanization, mass meetings, gospel hymnody, and organized evangelistic campaigns. Moody's style is famously plain.
Sermons and Letter from Birmingham Jail brings together Martin Luther King Jr.'s public theology and civil-rights argument at their most concentrated. The sermon tradition behind King includes the Black church, biblical prophecy, social gospel, liberal theology, and the cadences of African American sacred speech.