Eric Metaxas's Bonhoeffer is a full-length popular biography of the German Lutheran pastor and theologian Dietrich Bonhoeffer (1906-1945), written for a general Christian readership. It begins with the large, cultured Bonhoeffer family of Breslau and Berlin: his father Karl, a leading professor of psychiatry and neurology; his devout mother Paula, who schooled her children at home in their early years; his twin sister Sabine; and the death of his brother Walter in the First World War, which marked the family deeply.
Theme
Saints
18 works in the library take up saints, from Life of St. Martin to Bonhoeffer: Pastor, Martyr, Prophet, Spy.
Works
Christ Legends is a book of eleven stories in which the Swedish novelist Selma Lagerlöf retells and invents legends about the life of Jesus, from the night of His birth to the Crucifixion and after. Some come from old Christian tradition, some from folk tales, and some are her own; all are told in a simple, warm voice suited to reading aloud.
Francis of Assisi reaches modern popular culture through birds, wolves, poverty, brown robes, garden statues, animal blessings, Christmas cribs, and an almost ecological tenderness. The early sources are more demanding.
Bede's Ecclesiastical History of the English People, finished in 731 at the monastery of Jarrow, tells how the peoples of Britain received the Christian faith. A dedication to King Ceolwulf of Northumbria explains that history offers good examples to imitate and bad ones to shun, and names his informants, chief among them Abbot Albinus of Canterbury and the priest Nothelm, who searched the papal archives in Rome.
Sulpitius Severus's Life of St. Martin made Martin of Tours one of the defining saints of the Latin West. The narrative begins with Martin's birth in Pannonia, upbringing in Italy, and reluctant military service.
Saint Joan is Shaw's chronicle play in six scenes and an epilogue about Joan of Arc, the peasant girl from Domrémy who led the French against the English in the Hundred Years' War. In Scene I, set in 1429 at the castle of Vaucouleurs, the blustering squire Robert de Baudricourt is talked by Joan, and by his own officer Poulengey, into giving her a horse and an escort to the Dauphin; when she leaves, the hens that had stopped laying begin again.
St. Dymphna and the Geel Colony is less a single book than a layered dossier: a thirteenth-century Latin Vita by Pierre of Cambrai, a medieval shrine in the Brabant town of Geel, and a centuries-long practice of boarding mentally ill people with local families. The legend tells of an Irish princess whose widowed father, deranged by grief and desire, attempts to marry his daughter because she resembles her dead mother.
Patrick's own writings are the narrow bridge between the global St. Patrick's Day figure and a real late Roman Christian voice. The Confessio begins with a self-portrait of abasement: Patrick calls himself a sinner, unlearned, rustic, and contemptible to many.
St. Thomas Becket and the Canterbury Miracles traces a murder into a medical archive. Becket's political story is familiar: the brilliant royal chancellor becomes archbishop of Canterbury, clashes with Henry II over ecclesiastical liberty and royal jurisdiction, goes into exile, returns under tense compromise, and is killed in the cathedral on 29 December 1170 by knights acting in the atmosphere of the king's fury.
St. Vitus and the Dancing Mania joins two histories that later language often confuses: the hagiographic cult of a youthful martyr and the medical naming of involuntary or epidemic movement. The saint layer is late antique and medieval.
Sts. Cosmas and Damian are the physician saints par excellence: twin or paired martyrs, healers without payment, patrons of doctors and surgeons, and subjects of one of medieval art's strangest surgical miracles. The historical core is modest.
Sts. Roch and Sebastian became plague saints through two different imaginative routes. Sebastian is an older martyr of the Roman persecution tradition.
This entry gathers the Golden Legend chapters and adjacent medieval traditions behind saints whose images still move through calendars, holidays, icons, hospitals, medals, advertising, and folklore. Jacobus de Voragine did not write critical biography in the modern sense.
The Life of St. Teresa of Jesus is the spiritual autobiography that the Carmelite nun Teresa of Avila wrote at the command of her confessors, so that they could judge whether the extraordinary graces she reported came from God. It follows her from childhood in Avila to the founding of the convent of St. Joseph in 1562, and in its middle chapters becomes a treatise on prayer.
The Practice of the Presence of God gathers four conversations with, and fifteen letters by, Brother Lawrence, a lay brother of the Discalced Carmelites in Paris who spent his days in the friary kitchen. The conversations were written down by a visitor, traditionally identified as Joseph de Beaufort, who first met him on 3 August 1666.
The Story of a Soul is the autobiography of Thérèse Martin, a young Carmelite nun of Lisieux in Normandy, written at the request of her superiors in the last years of her short life and published a year after her death. In the library text, Thomas N. Taylor's 1912 translation, it is arranged in eleven chapters addressed to her sister Pauline, by then Mother Agnes of Jesus, and framed by a prologue on her parents and birth and an epilogue on her final illness.
The Travels of Ibn Battuta is the account of a Moroccan legal scholar who left Tangier in June 1325, aged twenty-one, to make the pilgrimage to Mecca and did not settle at home again until 1349. Its Arabic title, given by its editor Ibn Juzayy, means A Gift to Those Who Contemplate the Wonders of Cities and the Marvels of Travelling; it is usually called simply the Rihla, the Journey.
The trial records of Joan of Arc are not a saint's life in the ordinary devotional sense. They are hostile legal documents that accidentally preserve one of the most vivid medieval voices.