A Christmas Carol. In Prose.
Theme
The Supernatural
85 works in the library take up the supernatural, from The Epic of Gilgamesh to The Master and Margarita.
Works
A Midsummer Night's Dream begins in Athens with a legal crisis: Egeus demands that Hermia marry Demetrius, while Hermia loves Lysander and faces punishment under Theseus's law. The lovers flee into the wood, followed by Demetrius and Helena, and the play transfers civic conflict into a night world governed by Oberon, Titania, Puck, and the flower whose juice alters desire.
A Wonder-Book for Girls and Boys is Nathaniel Hawthorne's first book of Greek myths retold for children. Six stories are set inside a frame: Eustace Bright, an eighteen-year-old Williams College student on vacation, tells them to a crowd of children staying at Tanglewood, a country house in the Berkshires, whom Hawthorne gives flower and plant names such as Primrose, Periwinkle, Sweet Fern, Dandelion, Squash-Blossom and Buttercup.
Meg Murry is a stubborn, clumsy, unhappy girl with glasses and braces who is doing badly at school, and whose physicist father has been missing for more than a year on secret government work. On a stormy night she comes down to the kitchen of the family's country house to find her mother, a scientist, and her five-year-old brother Charles Wallace, an uncannily gifted child the village thinks is slow.
Carmilla is a Gothic vampire novella narrated by Laura, the nineteen-year-old daughter of an Englishman who retired from the Austrian service and bought a lonely castle in the forests of Styria. A brief prologue presents the story as a case from the papers of the physician Doctor Hesselius and notes that its narrator has since died.
Christ Legends is a book of eleven stories in which the Swedish novelist Selma Lagerlöf retells and invents legends about the life of Jesus, from the night of His birth to the Crucifixion and after. Some come from old Christian tradition, some from folk tales, and some are her own; all are told in a simple, warm voice suited to reading aloud.
Dracula is told through journals, letters, phonograph diaries, telegrams and newspaper cuttings assembled by its characters. Jonathan Harker, a young English solicitor, travels to Transylvania to arrange the purchase of a London property, Carfax, for Count Dracula.
Early Christian Lives gathers late antique biographies of saints, monks and holy figures, often including Athanasius’ Life of Antony and Jerome’s lives of Paul, Hilarion and Malchus. These works do not present biography as neutral chronology.
Fairy and Folk Tales of the Irish Peasantry is an anthology of Irish fairy lore, ghost stories, legends and comic tales chosen and introduced by the young W. B. Yeats. Rather than collecting stories himself, Yeats gathered the best versions already printed by nineteenth-century Irish writers and folklorists: Thomas Crofton Croker, William Carleton, Samuel Lover, Patrick Kennedy, Lady Wilde, Letitia Maclintock, Douglas Hyde and others, along with poems by William Allingham, Samuel Ferguson, Edward Walsh and Yeats himself.
This selection gathers fourteen of Hans Christian Andersen's most loved fairy tales, written between 1835 and 1845, in the English versions revised and partly newly translated by the Scottish scholar W. A. Craigie for Oxford University Press in 1914. In The Tinder-Box a returning soldier fetches a magic tinder-box from a hollow tree for a witch, keeps it, and with the help of three dogs with enormous eyes wins a princess and a kingdom.
Faust, Part One opens with three frames: a verse Dedication, a Prelude at the Theatre in which a Manager, a Poet and a comic actor argue about what a play should be, and a Prologue in Heaven modelled on the Book of Job. There Mephistopheles mocks mankind, and the Lord permits him to tempt Doctor Faust, saying that man errs as long as he strives but that a good man keeps an instinct of the right way.
Cyril, Anthea, Robert, and Jane, with their baby brother the Lamb, have come from two years in Camden Town to a white house in the Kent countryside near Rochester, between a chalk-quarry and a gravel-pit. Their father is called away on business and their mother goes to nurse their sick grandmother, leaving them in the care of the nursemaid Martha and the other servants.
Household Stories is Lucy Crane's English translation of fifty-two tales chosen from the Brothers Grimm's Kinder- und Hausmärchen, first published in London by Macmillan in 1882 with pictures by her brother Walter Crane; the library text follows a later reprint and omits the illustrations. The selection mixes the most famous wonder tales with comic stories, animal fables and short nursery pieces.
Journey to the West is the great Ming-dynasty comic and religious novel about the monk Xuanzang's pilgrimage from Tang China to India to bring back Buddhist scriptures, guarded by a band of supernatural disciples. The library text is not a full translation.
The Kalevala is the national epic of Finland, compiled by the physician and folklorist Elias Lönnrot from oral songs he and others gathered in Finnish and Russian Karelia. Its fifty runes, or cantos, follow the deeds of the people of Kalevala, chiefly the old singer and sage Väinämöinen, the smith Ilmarinen and the reckless Lemminkäinen, and their long rivalry with Louhi, mistress of the cold northern land of Pohjola.
Legends of Charlemagne, or Romance of the Middle Ages, is the third of Thomas Bulfinch's books of legend, published in 1863. It retells in English prose the romances that grew up around Charlemagne and his twelve peers, or paladins, chiefly as the Italian Renaissance poets Luigi Pulci, Matteo Maria Boiardo and Ludovico Ariosto shaped them.
Sulpitius Severus's Life of St. Martin made Martin of Tours one of the defining saints of the Latin West. The narrative begins with Martin's birth in Pannonia, upbringing in Italy, and reluctant military service.
Lord of the Flies follows a party of British schoolboys, aged roughly six to twelve, whose aeroplane is shot down over a tropical island during an unnamed atomic war. No adult survives.
Macbeth opens on a Scottish heath where three witches plan to meet Macbeth. Returning from victory over rebels and Norwegian invaders, Macbeth and his fellow general Banquo meet the witches, who hail Macbeth as Thane of Glamis, Thane of Cawdor and future king, and tell Banquo that his descendants will be kings.
The Metamorphoses is a Latin poem in fifteen books of dactylic hexameter, about 12,000 lines, that strings together some 250 myths of transformation from the creation of the world to the deification of Julius Caesar and the reign of Augustus. Its unifying thread is change of form: gods, humans and nymphs become animals, plants, stones, stars and springs, usually at moments of extreme passion, violence or divine punishment.
On Fairy-Stories is Tolkien's defense of fairy-story as a serious form of imaginative art. He begins by rejecting narrow definitions that identify fairy tales with children, small supernatural beings, dreams, or mere folklore collection.
Paradise Lost is John Milton's epic in twelve books of blank verse on the fall of man, written, as the opening invocation says, to assert Eternal Providence and justify the ways of God to men. It begins in the middle of things.
Peter and Wendy, the 1911 novel that grew out of J. M. Barrie's play Peter Pan, opens in the London nursery of the Darling family: Mr. Darling, a clerk anxious about money and dignity; Mrs. Darling, who tidies her children's minds each night; Wendy, John and Michael; and Nana, a Newfoundland dog who serves as their nurse. Mrs. Darling finds the name Peter in her children's thoughts and later sees a strange boy at the nursery window; Nana snaps the window shut on his shadow.
Maupassant's stories, written mostly between 1880 and 1890, are compact, ironic and often brutal studies of French life: Norman peasants, Parisian clerks, prostitutes, bourgeois families, soldiers and the provincial gentry. This selection gathers many of the best known, which typically include the following.
Sir Gawain and the Green Knight opens at Arthur's Christmas court, where a green stranger interrupts the feast with a beheading game. Gawain accepts the challenge, cuts off the Green Knight's head, and must seek the Green Chapel a year later to receive the return blow.
St. Thomas Becket and the Canterbury Miracles traces a murder into a medical archive. Becket's political story is familiar: the brilliant royal chancellor becomes archbishop of Canterbury, clashes with Henry II over ecclesiastical liberty and royal jurisdiction, goes into exile, returns under tense compromise, and is killed in the cathedral on 29 December 1170 by knights acting in the atmosphere of the king's fury.
St. Vitus and the Dancing Mania joins two histories that later language often confuses: the hagiographic cult of a youthful martyr and the medical naming of involuntary or epidemic movement. The saint layer is late antique and medieval.
Structural Anthropology (Anthropologie structurale) is a collection of seventeen essays by the French anthropologist Claude Lévi-Strauss, published by Plon in Paris in 1958 and translated into English by Claire Jacobson and Brooke Grundfest Schoepf for Basic Books in 1963. In his preface Lévi-Strauss explains that he chose them from roughly a hundred papers written over some thirty years; most had appeared in journals between the mid-1940s and the mid-1950s, and two were printed for the first time in the book.
Sts. Cosmas and Damian are the physician saints par excellence: twin or paired martyrs, healers without payment, patrons of doctors and surgeons, and subjects of one of medieval art's strangest surgical miracles. The historical core is modest.
Sts. Roch and Sebastian became plague saints through two different imaginative routes. Sebastian is an older martyr of the Roman persecution tradition.
This selection gathers six of Edgar Allan Poe's best-known tales, two of them detective stories and four of them tales of terror, written between 1839 and 1846 and printed here from the Raven Edition of his works. The Murders in the Rue Morgue (1841) opens with an essay on the analytical mind and introduces C. Auguste Dupin, a poor but brilliant Parisian gentleman who shares lodgings with the unnamed narrator.
Tales from Shakespeare retells twenty of Shakespeare's plays as prose stories for children. A short preface explains the method: the authors keep Shakespeare's own words wherever they can, avoid words that came into English after his time, and hope the tales will send young readers on to the plays themselves when they are older.
Tanglewood Tales is Nathaniel Hawthorne's second book of Greek myths retold for children, a sequel to A Wonder-Book for Girls and Boys. In a short introduction called The Wayside, Hawthorne pretends that the stories were written by his young friend Eustace Bright, a Williams College student who had told the first set to a group of children at Tanglewood in the Berkshires; Eustace visits Hawthorne's snowy Concord hillside with six new stories, and Hawthorne agrees to act as editor.
That Hideous Strength, subtitled A Modern Fairy-Tale for Grown-Ups, completes the trilogy that began with Out of the Silent Planet and Perelandra, though it moves the action from other planets to an English university town. Mark Studdock, a young sociologist and fellow of Bracton College in Edgestow, longs to belong to the inner circle of the college's Progressive Element.
The Age of Fable, or Stories of Gods and Heroes, is Thomas Bulfinch's prose retelling of Greek and Roman mythology, with shorter chapters on Egyptian, Eastern, Norse and Celtic belief, first published in Boston in 1855. Bulfinch, a bank clerk with a Harvard classical education, wrote it so that ordinary readers could understand the mythological allusions in English poetry and speech.
The Arabian Nights Entertainments is Andrew Lang's 1898 selection of the Thousand and One Nights for children, retold in English from Antoine Galland's early eighteenth-century French version. The frame story comes first.
The Argonautica is the one full Greek epic of the voyage of the Argo that survives from antiquity, composed in four books of dactylic hexameter by the Alexandrian scholar-poet Apollonius of Rhodes in the third century BC. King Pelias of Iolcus, warned by an oracle to beware a man wearing one sandal, sees Jason arrive having lost a sandal in the river Anaurus, and sends him to fetch the golden fleece from Colchis at the far end of the Black Sea.
The Bacchae and Other Plays presents Euripides at his most dangerous: gods are real, but that does not make them gentle. The Bacchae begins when Dionysus arrives at Thebes in disguise to punish the royal house for denying his divinity and slandering his mother Semele.
The Blue Fairy Book (1889), edited by Andrew Lang, gathers European fairy tales into one household volume that became the first of the famous colored fairy books. Lang and his collaborators retell stories from Perrault, the Brothers Grimm, Madame d’Aulnoy, and other streams so that children meet Cinderella, Sleeping Beauty, Aladdin, and many less anthologized tales in a single readable English.
The Book of Enoch, usually called 1 Enoch, is a collection of five Jewish apocalyptic books gathered under the name of Enoch, the patriarch of Genesis 5 who walked with God and was not, for God took him. Written in stages during the Second Temple period, it presents Enoch as a righteous scribe who is shown the secrets of heaven, earth and the coming judgment and writes them down for his son Methuselah and for a remote generation.
The Call of Cthulhu and Other Weird Stories is a selection of Lovecraft's tales, edited with notes by the Lovecraft scholar S. T. Joshi, tracing his development from early Poe-influenced pieces to the 'cosmic horror' for which he is known. Lovecraft's central idea is that humanity is an insignificant accident in a vast, indifferent universe, and that knowledge of this truth is enough to destroy sanity.
The Dream of the Rood is the oldest dream-vision poem in English and one of the great devotional poems of the early Middle Ages. A sleepless narrator, at midnight while others rest, sees a vast tree rising into the sky, wrapped in light and set with gold and jewels.
The Epic of Gilgamesh is the great poem of ancient Mesopotamia, known in its fullest form from the standard Babylonian version on clay tablets, many of them from the library of the Assyrian king Ashurbanipal at Nineveh. The library holds no text of it: the public-domain English versions, by Stephen Langdon (1917), Morris Jastrow and Albert T. Clay (1920) and R. Campbell Thompson (1928), are fragmentary scholarly editions of a poem still being recovered, so this record describes the epic without quoting it.
Book I of The Faerie Queene, the Legend of the Knight of the Red Cross, or of Holiness, tells how a young, untried knight wins his spurs by freeing a kingdom from a dragon and, on the way, learns how easily a Christian soul is deceived. Gloriana, the Faerie Queene, has sent the Redcrosse Knight, who bears a bloody cross on breast and shield, to help the lady Una, whose royal parents are besieged in their brazen castle by a monstrous dragon.
The Golden Ass is a comic, erotic, violent and religious novel about curiosity transformed into degradation and salvation. Lucius, a young man fascinated by magic, travels in Thessaly, a region famous for witches.
The Golden Bough sets out to explain one strange rule. In the sacred grove of Diana at Nemi, in the Alban Hills near Rome, the priest, called the King of the Wood, held office until a runaway slave broke a bough from a certain tree and killed him in single combat, becoming priest in turn.
The Golden Fleece and the Heroes Who Lived Before Achilles is Padraic Colum's retelling for young readers of the voyage of the Argo, with many other Greek myths woven into it as stories told by the heroes on the way. It was published in New York by Macmillan in 1921, with illustrations by Willy Pogány, and was named a Newbery Honor book in 1922.
This entry gathers the Golden Legend chapters and adjacent medieval traditions behind saints whose images still move through calendars, holidays, icons, hospitals, medals, advertising, and folklore. Jacobus de Voragine did not write critical biography in the modern sense.
The Heroes; or, Greek Fairy Tales for My Children is Charles Kingsley's retelling of three Greek hero legends, Perseus, the Argonauts and Theseus, written for his children Rose, Maurice and Mary. The preface is signed from Farley Court in Advent 1855, and the book was published by Macmillan in 1856.
The Homeric Hymns are a collection of thirty-three anonymous Greek poems addressed to the gods, composed in the same dactylic hexameter and formulaic language as the Iliad and Odyssey. Ancient audiences treated many of them as Homer's own; most scholars now see them as the work of different singers over a long period, with the four great narrative hymns usually dated to the archaic age and some short pieces much later.
The Hound of the Baskervilles brings Sherlock Holmes and Dr. Watson to Dartmoor to investigate a family curse. It opens in Baker Street with a walking stick left by a visitor, from which Holmes deduces a young country doctor with a curly-haired spaniel.
The Lais of Marie de France are twelve short narrative poems in octosyllabic rhyming couplets, preserved together in one manuscript (British Library, Harley 978) with a general prologue in which Marie dedicates them to a 'noble king', probably Henry II. She says she has heard Breton lais, songs commemorating adventures, and has put them into verse so they will not be forgotten.
The Last Battle tells of the end of Narnia, some two hundred years after the reign of Caspian X. Beside Caldron Pool, under the great waterfall in the far west, lives Shift, a clever, ugly old Ape, with his simple friend Puzzle the Donkey, whom he bullies. When a lion's skin washes down the falls, Shift sews it into a coat for Puzzle and, showing him by firelight in a stable on a hill, announces to the Narnians that Aslan has returned.
The Library is the only complete handbook of Greek mythology to survive from antiquity. In plain, compressed prose it tells the traditional stories of the gods and heroes in order, from the beginning of the world to the death of Odysseus, organized chiefly by family lines.
The Lion, the Witch and the Wardrobe opens during the Second World War, when Peter, Susan, Edmund and Lucy Pevensie are sent away from London because of the air raids to stay in the great country house of an old Professor. On a rainy day of hide-and-seek, Lucy, the youngest, climbs into a wardrobe in an empty room and comes out in a snowy wood beside a lamp-post.
The Mabinogion is the name given to eleven medieval Welsh prose tales, preserved mainly in the White Book of Rhydderch and the Red Book of Hergest, together with the Tale of Taliesin, which Lady Charlotte Guest added from a later source. The library text is Guest's translation in the one-volume form, with her introduction and a few of her notes; it follows her order, opening with the three Arthurian romances.
The Magician's Nephew is the story of how Narnia began and how a wardrobe came to lead into it. In London around 1900, Digory Kirke has been sent to live with his Uncle Andrew and Aunt Letty because his father is in India and his mother is gravely ill.
The Master and Margarita interweaves two stories: the visit of the Devil to Soviet Moscow in the 1930s and a novel about Pontius Pilate written by an unnamed author known as the Master. On a hot spring evening at Patriarch's Ponds, the literary bureaucrat Mikhail Berlioz and the young poet Ivan Bezdomny are discussing the non-existence of Jesus when a mysterious foreigner joins them.
The Narrative of Arthur Gordon Pym of Nantucket begins as a sea adventure told by a young Nantucketer whose craving for forbidden experience repeatedly overrides judgment. Pym and his friend Augustus Barnard first make a disastrous drunken voyage in the Ariel, a small boat nearly destroyed before rescue.
The narrator, presenting himself as a researcher, announces that the Opera ghost really existed and that he has proved it from archives, the memories of old employees and the papers of a mysterious Persian. In the 1880s the ballet girls of the Paris Opera whisper about a ghost in evening dress with a death's head; the scene-shifter Joseph Buquet, who claims to have seen him, is found hanged in the third cellar.
The Picture of Dorian Gray is Oscar Wilde's only novel, a moral fable told in the polished language of the London drawing room. In the studio of the painter Basil Hallward, the witty Lord Henry Wotton sees an unfinished portrait of an extraordinarily handsome young man and insists on meeting its subject.
The Poetic Edda is the collection of anonymous Old Norse poems about the gods and heroes of the North, preserved chiefly in the Icelandic manuscript known as the Codex Regius, written about 1270. The library text is the complete translation by Henry Adams Bellows, published in 1923 by the American-Scandinavian Foundation, which renders thirty-five poems in alliterative verse and adds a general introduction, an introductory note to each poem and extensive notes.
The Popol Vuh, the Book of the Mat or Council Book, is the sacred and historical book of the K'iche' Maya of highland Guatemala, written in K'iche' by anonymous nobles in the 1550s and preserved in Francisco Ximénez's copy of about 1701. The library's text is not a full translation but Lewis Spence's 1908 English study, which retells and partly translates the first books from Brasseur de Bourbourg's French and Ximénez's Spanish and then comments on them.
The Princess and Curdie is George MacDonald's sequel to The Princess and the Goblin, set about a year after the goblins were defeated. Curdie, the miner's son, now nearly thirteen, has grown dull and doubtful; he half believes that Princess Irene's great-great-grandmother was only a child's dream.
The Princess and the Goblin (1872) sends Princess Irene into a mysterious tower where her great-great-grandmother spins a thread of protection, while young miner Curdie discovers goblin plots in the mountain’s underworld. George MacDonald joins fairy-tale wonder to moral courage: Irene must trust what she cannot always see, and Curdie must act with grit when songs and stones are weapons against creatures who hate verse and running water.
The Prose Edda is a handbook of Norse myth and of the art of skaldic poetry, written in Iceland around 1220 by the chieftain and historian Snorri Sturluson. It was meant to teach young poets the old stories and the poetic names (kennings) that the court verse of Scandinavia depended on, at a time when Iceland had been Christian for more than two centuries.
The Raven is a narrative poem of eighteen six-line stanzas in which a grieving student, alone at midnight in December, is visited by a talking bird that can say only one word. It appeared in the New York Evening Mirror on 29 January 1845, ahead of its printing in The American Review, and made Poe famous almost overnight.
The Screwtape Letters is a book of thirty-one letters written by Screwtape, a senior devil in the bureaucracy of Hell, to his nephew Wormwood, a junior tempter on his first assignment. Wormwood's charge is a young Englishman, never named and called only the patient, who lives with his mother at the outbreak of the Second World War.
The Second Coming is a twenty-two-line poem in two verse paragraphs in which Yeats imagines the end of the Christian era and the birth of something terrible to replace it. He wrote it in January 1919, in the months after the First World War, with the Russian Revolution and its violence recent and Ireland moving toward its own war of independence.
The Silver Chair begins behind the gym at Experiment House, a muddled modern boarding school where bullies rule. Jill Pole is crying there when Eustace Scrubb, much changed since his voyage on the Dawn Treader, tells her about Narnia.
The Sketch Book is a miscellany of essays, travel sketches and tales presented as the notebook of Geoffrey Crayon, a genial American bachelor who crosses the Atlantic to look at the England he has known from books. Crayon opens by explaining that he wanders to see the shifting scenes of life, then describes the voyage itself, a visit to the Liverpool historian William Roscoe, and a portrait of a wife who sustains her ruined husband.
The Song of Hiawatha is a book-length poem in twenty-two cantos with an Introduction, retelling legends of the Ojibway and neighbouring peoples around a single hero on the south shore of Lake Superior, which the poem calls Gitche Gumee, the shining Big-Sea-Water. The Introduction presents the songs as gathered by the singer Nawadaha from the forest, the birds and the rivers, and addresses readers who believe every human heart is human.
The Story of King Arthur and His Knights is the first of Howard Pyle's four Arthurian volumes, drawn chiefly from Malory and told in a deliberately antique English with Pyle's own illustrations. It has two books.
The Story of the Volsungs is a thirteenth-century Icelandic prose saga that tells, from beginning to end, the legend of the Volsung kindred, the dragon-slayer Sigurd and the fall of the Niflungs. The library text is the translation by Eiríkr Magnússon and William Morris, first published in 1870, in the 1888 edition, with an introduction, the translators' preface, notes, and an appendix of Morris and Magnússon's versions of related Eddic lays, from the Second Lay of Helgi Hundings-bane to the Lament of Oddrun.
The Sword in the Stone is T. H. White's comic and affectionate account of the boyhood of King Arthur, set in a merry, anachronistic Middle Ages. Arthur, called the Wart, is an orphan of unknown birth raised by the kindly Sir Ector at the Castle of the Forest Sauvage alongside Ector's son Kay, an older, proud and often unhappy boy who will one day be a knight while the Wart expects to be his squire.
The Tempest opens with a ship breaking apart in a storm off a remote island. On shore, the magician Prospero tells his fifteen-year-old daughter Miranda that he was once Duke of Milan.
This is the first of three volumes of Edward William Lane's translation of The Thousand and One Nights, made directly from the Arabic of the Cairo (Bulaq) printed edition and published in parts from 1838. The library text is the 1859 revision edited by his nephew Edward Stanley Poole, in the 1912 Chatto & Windus reissue with a preface by Stanley Lane-Poole.
This volume pairs two of Henry James's most intense short fictions about possession, interpretation and moral trespass. The Turn of the Screw is framed as a manuscript read aloud during a country-house gathering.
The Vampyre is a brief but enormously influential Gothic tale that turns the vampire from folkloric corpse into a fashionable aristocratic predator. Aubrey, a young gentleman of imagination and moral seriousness, enters London society and becomes fascinated by Lord Ruthven, a mysterious nobleman whose charm is inseparable from coldness.
The Velveteen Rabbit, or How Toys Become Real (1922), is Margery Williamss tender story of a stuffed rabbit who longs to become Real. At first he is unused in the nursery; the wise Skin Horse explains that Real is not how you are made but what happens when a child loves you for a long time.
The Voyage of the Dawn Treader is the third Chronicle of Narnia to be published. Edmund and Lucy Pevensie are spending the summer holidays with their aunt and uncle in Cambridge, where their cousin Eustace Clarence Scrubb, a priggish, bullying boy raised on modern notions, makes them miserable.
The Wise Woman is George MacDonald's fairy-tale parable of two spoiled little girls in an odd country where everyone wants what he has not got. Princess Rosamond, whose name means Rose of the World, has been given everything she cried for, including a silver disc to stand in for the moon, and has grown into a raging, greedy child who beats her pets and has nearly killed her nurse.
Dorothy lives on the grey Kansas prairie with her Uncle Henry, her Aunt Em and her little black dog Toto. When a cyclone strikes, Aunt Em and Uncle Henry reach the cellar, but Dorothy runs back for Toto, and the house is carried away with the two of them inside.
Till We Have Faces, subtitled A Myth Retold, rewrites the story of Cupid and Psyche from Apuleius's Golden Ass, told by one of Psyche's elder sisters. Orual, now an old queen of Glome, a small barbarian kingdom on the edge of the Greek world, writes her book as a formal accusation against the gods.
Wuthering Heights is a violent family romance told through layered narration. Mr. Lockwood, a tenant at Thrushcross Grange, becomes curious about his landlord Heathcliff and the strange household at Wuthering Heights.