A Good Play

Summary

A Good Play by Robert Louis Stevenson (1885) is presented here as a complete poem for reading aloud and memorization. The hosted edition preserves stanza spacing for recitation practice. Students should watch how images and turns unfold across its lines rather than reducing the poem to a single slogan. The chooser treats this as a standalone poem cut cleanly from its parent volume for reading and print. Grade band K–5 is editorial guidance for chooser filters. Themes for study include coming-of-age, nature-landscape, art-creation, faith-religion. Classical Christian use means judging the speaker’s loves and fears by received moral truth while still hearing the poem’s art. Use the print-friendly page so line breaks match the reader; estimated speaking time on the chooser is approximate only. Keep rights notes visible: this text is offered because the United States public-domain status of the cited edition is clear, not because every reprint worldwide shares the same status. Keep rights notes visible: this text is offered because the United States public-domain status of the cited edition is clear, not because every reprint worldwide shares the same status. Keep rights notes visible: this text is offered because the United States public-domain status of the cited edition is clear, not because every reprint worldwide shares the same status. Keep rights notes visible: this text is offered because the United States public-domain status of the cited edition is clear, not because every reprint worldwide shares the same status.

Plot or Argument

• Opening

  The poem begins “A Good Play” and establishes voice and situation before later turns.

• Middle

  A representative interior line is “And Tom said, "Let us also take”, where image or argument develops.

• Close

  End by noticing how the final lines settle or unsettle the opening claim when spoken aloud.

Characters

• Speaker, poetic speaker

  The voice that utters A Good Play; not automatically identical with Robert Louis Stevenson.

• Hearer, implied audience

  The listener imagined by the poem, including a classroom audience in recitation.

Lessons

• Opening line of A Good Play

  Start from “A Good Play” and name the voice before debating themes.

  • What does the opening ask you to notice?
  • Where does the tone change?
  • Which word is doing the most work early on?

• Breath and lineation

  Mark line ends and stanza breaks as breath points for recitation.

  • Where must you pause for sense?
  • Which stanza is hardest to speak?
  • How does sound help memory?

• Judge the claim

  Name what A Good Play loves or fears, then evaluate without flattering or sneering at the poet.

  • What good is honored?
  • Where might you dissent?
  • How would you explain the ending to a younger student?

Context

A Good Play belongs to Robert Louis Stevenson's work (1885) and is read here in a verified US-public-domain text.

Composition

Date guidance follows the catalogue year field (1885); see parent edition notes for bibliographic detail.

Reception

The poem remains useful for classroom reading aloud when grade guidance is respected.

Comparisons

• Psalm 23

  Read with Psalm 23 to compare speaker, form and ending without forcing both poems into one moral template.

• The Lamb

  Read with The Lamb to compare speaker, form and ending without forcing both poems into one moral template.

Quotes

For Students

A reading companion for classical Christian high school students. See the student guide.

Reading Guide

Watch for

• The opening line “A Good Play”.
• Stanza breaks and turns of thought.
• How the ending sounds aloud.

Key terms and names

Recitation

Speaking a poem aloud with attention to sense and sound.

Lineation

The breaking of verse into lines on the page.

Speaker

The voice in the poem, not automatically the biographical author.

Turn

A shift in thought or feeling, often near a poem’s end.

Seminar Questions

1. Comprehension What happens or is described at the beginning of A Good Play?
2. Comprehension Which images are repeated or developed later in the poem?
3. Interpretation What claim about the world does the speaker seem to make?
4. Interpretation How do line breaks change the way a sentence lands?
5. Big Question What should a careful reader praise or resist in this poem’s loves?
6. Big Question Why is memorizing a poem different from summarizing it?

Faith Connections

• Philippians 4:8 (Scripture)

  Test what is true, honorable and lovely without forcing the poet to preach.

• Psalm 19:1 (Scripture)

  Creation imagery in poetry can be weighed beside Scripture’s praise of the Maker.

Logic and Rhetoric

Central argument: A Good Play advances its felt claim through image and sound; state that claim in one prose sentence after reading.

Rhetorical device: imagery. A Good Play — opening image of the poem

Debate: Resolved: that A Good Play is worth memorizing for its craft even when readers dispute its speaker.

Memory Work

A Good Play

And Tom said, "Let us also take

Writing Prompts

Essay: How does “A Good Play” shape everything that follows in A Good Play?

Comparison with Psalm 23: Compare the ending of A Good Play with the paired poem.

Creative Prompts

• Poetry

  Write four lines answering the mood of “A Good Play” without copying the poem.

• Classroom

  Recite A Good Play once for sense and once from memory, keeping hosted line breaks.

• Essay

  Explain how one image in A Good Play carries the poem’s main feeling.

Further Reading

• A Child's Garden of Verses, Robert Louis Stevenson

  Parent edition or the poem itself in this library.

• The Bible, Psalm 23, Scripture

  A short lyric often memorized alongside school poems.