Work record

Tamburlaine the Great, Parts I and II

c. 1587-1588 (printed 1590) · Renaissance Early Modern · Drama · English

Abstract

Written
c. 1587-1588
Setting
14th century (freely treated); Persia, Turkey, Egypt, Damascus and Babylon
Country
England
Language
English
Genre
Elizabethan heroic tragedy
Form
Two plays in five acts each
Recommended
Grades 10–12 (Violent conqueror plays in grand blank verse; upper high school.)

Promise. A prologue vows to leave behind rhyming clowns and show a herdsman from the steppes who threatens the world with thundering words.

Rise. The herdsman captures an Egyptian princess and wins her heart, charms a Persian general to his side, and topples two Persian monarchs in turn.

Cruelty. He imprisons the Turkish sultan in a cage, uses him as a footstool, and destroys Damascus despite its pleading maidens, though he spares the princess's father and weds her.

Sequel. In the second play his queen dies and he burns the town where she perished, kills a timid son, and harnesses defeated kings to his chariot.

End. After drowning Babylon and burning sacred books he falls ill, looks at the map of lands still unconquered, and dies.

Reading. These dramas made blank verse the voice of English tragedy. Their violence is extreme, so they suit upper-level students exploring ambition, eloquence and the limits of human power. Teachers can pair key speeches with Shakespeare's Henry V and ask how each dramatist makes conquest sound glorious, and whether the plays finally praise or condemn the conqueror's boundless and destructive will.

Main characters

  • Tamburlaine: A Scythian shepherd who becomes a world conqueror.
  • Zenocrate: The daughter of the Soldan of Egypt.
  • Theridamas: A Persian captain who joins Tamburlaine.
  • Bajazeth: The Turkish emperor, caged by Tamburlaine.
  • Mycetes: The foolish king of Persia.
  • Calyphas: A son who refuses to fight.

Summary

Tamburlaine the Great, written in two parts around 1587-88 and printed in 1590, was Christopher Marlowe's first great success on the London stage and established blank verse as the language of English tragedy. The prologue promises to lead the audience away from jigging rhymes to the stately tent of war, where they shall hear the Scythian Tamburlaine threatening the world with high astounding terms. The plays are loosely based on the life of Timur, the fourteenth-century Central Asian conqueror. In Part One, Tamburlaine, a Scythian shepherd, captures the Egyptian princess Zenocrate and wins her love, persuades the Persian captain Theridamas to join him, and with his followers Techelles and Usumcasane overthrows the foolish Persian king Mycetes and then his brother Cosroe. Crowned, he asks whether it is not passing brave to be a king and ride in triumph through Persepolis. He defeats the Turkish emperor Bajazeth, keeps him in a cage and uses him as a footstool; Bajazeth and his wife Zabina dash out their brains against the bars. At the siege of Damascus Tamburlaine slaughters the virgins sent to plead for the city, but he spares Zenocrate's father, the Soldan of Egypt, and the play ends with their marriage. In Part Two, Tamburlaine continues his conquests with his three sons. Zenocrate dies, and in grief he burns the town where she died. He kills his son Calyphas for cowardice, harnesses captured kings to draw his chariot, and at Babylon orders the inhabitants drowned and burns the Koran, defying Mahomet. Soon after, he falls sick, studies a map of the world he has not yet conquered, and dies, declaring that Tamburlaine, the scourge of God, must die. The plays celebrate and question limitless ambition. Their cruelty is extreme, but their soaring poetry made Marlowe famous, and they suit upper-level students studying Elizabethan drama.

Virtues in this work

  • Fortitude: Tamburlaine's courage is never in doubt.
  • Magnanimity: He aspires to greatness, though without justice.

Plot or Argument

  • Part I: rise

    Tamburlaine wins Zenocrate and Theridamas and overthrows the Persian kings.

  • Part I: conquest

    He cages Bajazeth and destroys Damascus, then marries Zenocrate.

  • Part II: grief and cruelty

    Zenocrate dies; Tamburlaine kills his son and drives kings like horses.

  • Part II: death

    After burning the Koran at Babylon, Tamburlaine sickens and dies.

Characters

  • Tamburlaine, protagonist

    A Scythian shepherd who becomes a world conqueror.

  • Zenocrate, Tamburlaine's wife

    The daughter of the Soldan of Egypt.

  • Theridamas, follower

    A Persian captain who joins Tamburlaine.

  • Bajazeth, emperor

    The Turkish emperor, caged by Tamburlaine.

  • Mycetes, king

    The foolish king of Persia.

  • Calyphas, Tamburlaine's son

    A son who refuses to fight.

Lessons

Context

Elizabethan audiences were fascinated by the Ottoman Turks and the empires of the East; Timur had defeated the Ottoman Sultan Bayezid I in 1402.

Composition

Part One was staged around 1587 by the Admiral's Men with Edward Alleyn as Tamburlaine; Part Two followed; both were printed together in 1590.

Reception

Hugely popular; Ben Jonson praised 'Marlowe's mighty line', and the plays shaped Shakespeare's early work.

Comparisons

Quotes

“Is it not passing brave to be a king, And ride in triumph through Persepolis?”
— Christopher Marlowe, Tamburlaine the Great, Parts I and II, Part I, Act II (Project Gutenberg #1094 and #1589).Quote card
“For Tamburlaine, the scourge of God, must die.”
— Christopher Marlowe, Tamburlaine the Great, Parts I and II, Part II, Act V (Project Gutenberg #1094 and #1589).Quote card

For Students

A reading companion for classical Christian high school students. See the student guide.

Reading Guide

Watch for

  • The prologue's promise of 'high astounding terms'.
  • Tamburlaine's wooing of Zenocrate.
  • The caging of Bajazeth.
  • Zenocrate's death in Part II.
  • Tamburlaine's final speech.

Key terms and names

Overreacher
A hero who aspires beyond human limits.
Mighty line
Ben Jonson's phrase for Marlowe's blank verse.
Scythia
An ancient region north of the Black Sea.
Scourge of God
A title given to conquerors seen as instruments of divine punishment.

Seminar Questions

  1. Comprehension How does Tamburlaine rise to power?
  2. Comprehension What happens to Bajazeth?
  3. Comprehension How does Zenocrate die?
  4. Interpretation Why does Tamburlaine call himself the scourge of God?
  5. Interpretation What finally defeats him?
  6. Big Question Is the desire for greatness a virtue or a vice?

Faith Connections

  • Isaiah 10:5 (Scripture)

    O Assyrian, the rod of mine anger; conquerors as scourges.

  • Daniel 4:30-31 (Scripture)

    Nebuchadnezzar's pride and fall.

Logic and Rhetoric

Central argument: Human will and eloquence can win empires, but death sets a limit no conqueror can pass.

Rhetorical device: hyperbole. Tamburlaine speaks of pulling Jove from his throne.

Debate: Resolved: that Marlowe celebrates Tamburlaine.

Memory Work

Is it not passing brave to be a king, And ride in triumph through Persepolis?

Part I, Act II. Tamburlaine's famous exaltation of kingship.

Writing Prompts

Essay: How does Marlowe make Tamburlaine both fascinating and terrible?

Comparison with The Tragical History of Doctor Faustus: Compare Tamburlaine's ambition with Faustus's.

Creative Prompts

  • Essay

    Is Tamburlaine a hero or a monster?

  • Fiction

    Write a speech of ambition in blank verse.

  • Classroom

    Compare a speech of Tamburlaine with one of Henry V.

Further Reading

  • Doctor Faustus, Christopher Marlowe

Verification notes

Full text from Project Gutenberg #1094 and #1589; Gutenberg header and licence removed. Quotations checked as exact substrings of the stored text. Text follows Alexander Dyce's edition as transcribed by Project Gutenberg, including Dyce's numbered notes. Parts One and Two are joined from Project Gutenberg #1094 and #1589.

No verification flags recorded.