Work record
Typee: A Peep at Polynesian Life
Herman MelvilleTypee: A Peep at Polynesian Life by Herman Melville (1846)Typee, published in 1846, was Herman Melville's first book and his most popular during his lifetime.1846 · 19th Century · Novel · English
Abstract
Escape. A young American whaleman and a shipmate slip away from their vessel in a Marquesan harbour, sick of a tyrannical captain and endless months at sea.
Arrival. Crossing ridges and gorges, they descend by mistake into a valley whose people are feared as man-eaters, yet they are welcomed with feasts and gifts.
Valley. Cared for by an attentive young attendant and befriended by a lovely island girl, the injured narrator describes food, dress, tattoos, ceremonies and the sacred rules of the island with great curiosity.
Critique. He praises the islanders' contentment and condemns the violence of colonizers and the failings of some missionaries.
Fear. His hosts will not let him go, wish to tattoo him, and he sees signs of cannibal feasts. After his companion vanishes he flees to a whaleboat, fighting his way out.
Reading. Melville's first book is both adventure story and social criticism. Readers can enjoy it while noticing the romantic assumptions in its portrait of Polynesian life. The book works well alongside a study of nineteenth-century whaling, Pacific exploration and missionary history. Students can separate what Melville likely saw from what he borrowed or imagined, and ask whose voices are missing from his account of the islanders.
Main characters
- Tommo: An American sailor who deserts his ship.
- Toby: The narrator's companion in desertion.
- Mehevi: The Typee chief who protects the narrator.
- Kory-Kory: A devoted young man who cares for the narrator.
- Fayaway: A beautiful young Typee woman.
- Marnoo: A traveller from another tribe who can speak English.
Summary
Typee, published in 1846, was Herman Melville's first book and his most popular during his lifetime. Based loosely on his own experience in 1842, it is told by a young American sailor who, with his shipmate Toby, deserts the whaler Dolly at Nukuheva Bay in the Marquesas Islands, weary of the harsh captain and the long voyage. Hoping to reach the friendly Happar people, the two men struggle through mountains and ravines and instead come down into the valley of the Typees, a people reputed to be fierce cannibals. To their surprise they are received with kindness. The chief Mehevi protects them, the young man Kory-Kory serves the narrator, whom the islanders call Tommo, and the beautiful Fayaway becomes his companion. Toby leaves to seek help for the narrator's injured leg and does not return. The narrator describes the valley with fascination: its abundance, its customs, its festivals, its tattooing, the taboo system, and the islanders' apparent happiness without money, law courts or poverty. He compares their life favorably in many respects with civilized society and attacks the conduct of Europeans and of some missionaries in the Pacific; in one passage he calls the white civilized man the most ferocious animal on the face of the earth. Yet his unease grows. The Typees will not let him leave, they wish to tattoo his face, and he discovers evidence that they eat the bodies of slain enemies. After about four months, he escapes with the help of a native from another tribe and reaches a boat from an Australian whaler, fighting off pursuers. Melville's narrative mixes adventure, ethnographic description and social criticism. Students can read it as a lively travel story and as an early American critique of colonialism, while noticing that the narrator's view of the islanders is itself shaped by romantic assumptions. Toby's later appearance confirmed parts of the story, and the edition includes the 'Story of Toby' sequel.
Virtues in this work
Plot or Argument
- Desertion
The narrator and Toby leave the whaler Dolly at Nukuheva.
- Into the valley
They cross the mountains and arrive among the Typees.
- Life in Typee
The narrator describes the people, customs and beauty of the valley.
- Escape
Fearing tattooing and cannibalism, he escapes to a whaleboat.
Characters
- Tommo, narrator
An American sailor who deserts his ship.
- Toby, shipmate
The narrator's companion in desertion.
- Mehevi, chief
The Typee chief who protects the narrator.
- Kory-Kory, servant
A devoted young man who cares for the narrator.
- Fayaway, companion
A beautiful young Typee woman.
- Marnoo, visitor
A traveller from another tribe who can speak English.
Lessons
Civilized and savage
Melville questions who is truly savage. Students can weigh his claims.
- What does the narrator admire in the Typees?
- What does he criticize in Europeans?
- Is his view fair to both?
Paradise and captivity
The valley seems a paradise but becomes a prison.
- When does the narrator begin to fear?
- Why can't he simply leave?
- What does the ending suggest about paradise?
Travel writing
Typee mixes fact and fiction. Students can discuss the responsibilities of a travel writer.
- How much of Typee is true?
- Why did some readers doubt it?
- How should we read accounts of other peoples?
Context
In the 1840s, European powers and American whalers were changing the Pacific islands; France took possession of the Marquesas in 1842.
Composition
Melville spent about a month in the Taipi valley in 1842; he wrote Typee after returning to America, and it was published in London and New York in 1846.
Reception
It was a popular success; some readers doubted it until Toby (Richard Tobias Greene) confirmed the story; missionaries objected to its criticisms.
Comparisons
- Moby-Dick
Melville's later whaling masterpiece.
- The Narrative of Arthur Gordon Pym of Nantucket
Poe's sea adventure of the same period.
Quotes
“the white civilized man as the most ferocious animal on the face of the earth”
“four or five Marquesan Islanders sent to the United States as Missionaries might be quite as useful as an equal number of Americans despatched to the Islands in a similar capacity.”
For Students
A reading companion for classical Christian high school students. See the student guide.
Reading Guide
Watch for
- Why the narrator deserts.
- The first meeting with the Typees.
- Descriptions of daily life and the taboo.
- The narrator's comments on missionaries.
- How the narrator escapes the valley.
Key terms and names
- Taboo
- A Polynesian system of sacred prohibitions.
- Marquesas
- A group of islands in the South Pacific, now part of French Polynesia.
- Ethnography
- The description of peoples and cultures.
- Whaler
- A ship that hunted whales for oil on voyages lasting years.
Seminar Questions
- Comprehension Why do the narrator and Toby leave the ship?
- Comprehension Who are Mehevi, Kory-Kory and Fayaway?
- Comprehension How does the narrator escape?
- Interpretation Why does he call civilized man the most ferocious animal?
- Interpretation Why does he want to leave such a pleasant place?
- Big Question What does it mean to be civilized?
Faith Connections
- Matthew 7:3 (Scripture)
Why beholdest thou the mote that is in thy brother's eye? Melville turns judgment back on his own society.
- Acts 17:26 (Scripture)
God hath made of one blood all nations of men.
Logic and Rhetoric
Central argument: So-called civilized nations commit cruelties as great as those they condemn in 'savages'; the narrator's experience challenges easy assumptions of superiority.
Rhetorical device: ironic reversal. Melville suggests sending Marquesan missionaries to America.
Debate: Resolved: that Melville's view of the Typees is as romantic as it is critical.
Memory Work
the white civilized man as the most ferocious animal on the face of the earth
Writing Prompts
Essay: Trace the narrator's feelings about the valley from arrival to escape.
Comparison with Moby-Dick: Compare Typee's sailor-narrator with Ishmael in Moby-Dick.
Creative Prompts
- Essay
Is Typee more a celebration of the islanders or a critique of civilization?
- Dialogue
Write a conversation between Tommo and Kory-Kory about life in America.
- Classroom
Map the Marquesas and trace the narrator's route.
Further Reading
- Omoo, Herman Melville
Verification notes
Full text from Project Gutenberg #1900; Gutenberg header and licence removed. Quotations checked as exact substrings of the stored text.
No verification flags recorded.