Five-minute digest

Faust, Part Two

Summary

Faust, Part Two is the vast sequel Goethe worked on for most of his life and sealed among his papers shortly before his death in 1832. Part One had ended in a prison cell with Margaret's condemnation and a voice from above saying she is saved. Part Two leaves the small world of the German town for 'the great world': the court, the classical past, war and politics, and finally heaven. It runs to five acts in almost every verse form Goethe knew. Bayard Taylor's verse translation of 1871 is attached. Act I opens with Faust asleep in an alpine meadow while Ariel's spirits wash away his remorse. Restored, he and Mephistopheles enter the service of a bankrupt Emperor. Mephistopheles solves the treasury crisis by issuing paper money backed by buried treasure that no one has dug up; a carnival masque follows, and at the Emperor's request Faust descends to the mysterious Mothers to bring back the phantoms of Paris and Helen. When he tries to seize Helen's image it explodes. In Act II Faust's old assistant Wagner has made Homunculus, a tiny spirit in a glass phial, who guides Faust and Mephistopheles to the Classical Walpurgis Night in Thessaly, a crowded night of sphinxes, philosophers and sea-gods ending in a festival of the elements in which Homunculus breaks his glass against Galatea's shell to begin bodily life. Act III is the Helen act. Helen returns from Troy to Menelaus's palace at Sparta, is frightened by Phorcyas (Mephistopheles in disguise) into fleeing to a medieval castle, and there meets Faust as a northern lord. Their union, staged as a marriage of the classical and the romantic, produces Euphorion, a winged boy who leaps higher and higher until he falls to his death; the episode is often read as Goethe's tribute to Byron. Helen vanishes, leaving her garments. In Act IV Faust, now wanting power to act rather than to enjoy, helps the Emperor win a civil war with Mephistopheles' phantom armies and receives a coastal strip to reclaim from the sea. In Act V the hundred-year-old Faust is a great developer whose dikes and canals are built by forced labour. Irritated by the old couple Philemon and Baucis, whose cottage and chapel spoil his view, he orders them moved; Mephistopheles' men burn them out. Care breathes on Faust and blinds him. Hearing the spades of the Lemures digging his grave, he imagines them digging his canal, pictures a free people on free soil, and speaks the words of his old wager, that he could bid the moment stay. He dies. Mephistopheles claims his soul, but angels scattering roses distract him and carry Faust's immortal part upward through hermits, penitent women and the Mater Gloriosa, with Margaret among the penitents. The ending has divided readers: is Faust saved by grace, by striving, or by a poetic symbolism that sits loosely to doctrine? Students should weigh the angels' words against the cottage that burned so that his land could be cleared.

Top Lessons

  • Money backed by nothing dug up

    Mephistopheles rescues the Emperor's treasury with paper notes secured on treasure still in the ground. The scene satirizes credit, inflation and a court that wants prosperity without work, and it is one of the earliest literary treatments of paper money.

  • Life made in a glass

    Wagner creates Homunculus by a precise laboratory method, yet the being is pure spirit and must seek nature in order to become fully alive. Goethe sets the scientist's confidence beside the slow processes of growth he admired in nature.

  • The cottage in the way

    Faust's greatest project, reclaiming land for millions, requires removing an old couple and their chapel. Their deaths show the cost of a vision pursued without regard for neighbours, and Faust's half-repentance does not undo it.

  • Saved by striving or by grace?

    The angels say that whoever strives unweariedly can be redeemed, and add that love from above must also take part. The final scenes draw on Catholic imagery of saints, penitents and the Virgin. Students should distinguish what the play says from what Christian teaching holds about salvation.

Verified Quotes

“He only earns his freedom and existence”
— Johann Wolfgang von Goethe, Faust, Part Two, Act V, Great Outer Court of the Palace, trans. Bayard Taylor (1871).Quote card
“Stand on free soil among a people free”
— Johann Wolfgang von Goethe, Faust, Part Two, Act V, Great Outer Court of the Palace, trans. Bayard Taylor (1871).Quote card
“Throughout their whole existence men are blind”
— Johann Wolfgang von Goethe, Faust, Part Two, Act V, Midnight, trans. Bayard Taylor (1871).Quote card
“Whoe’er aspires unweariedly”
— Johann Wolfgang von Goethe, Faust, Part Two, Act V, Mountain-Gorges, Forest, Rock, trans. Bayard Taylor (1871).Quote card
“The Woman-Soul leadeth us”
— Johann Wolfgang von Goethe, Faust, Part Two, Act V, Mountain-Gorges, Forest, Rock (Chorus Mysticus), trans. Bayard Taylor (1871).Quote card