Work record

Ten Years Later

1848 · 19th Century · Novel · French

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Abstract

Written
1848 (serialized 1847-1850)
Setting
1661; Paris, Blois, Le Havre, Calais, the Bastille and Fontainebleau
Author
Alexandre Dumas; trans. anonymous (19th-century English version)
Country
France
Language
French
Genre
Historical adventure novel
Form
Prose novel; chapters I-LXV of this text (76-140 of the complete Vicomte de Bragelonne), second of four Project Gutenberg volumes
Recommended
Grades 9–12

Background. The middle section of Dumas and Maquet's last musketeer novel follows the first months of Louis XIV's own reign, when royal marriages and summer festivals filled the court calendar.

Plot. D'Artagnan wins his captaincy as Fouquet keeps Belle-Isle by giving it away. Henrietta of England arrives to wed Monsieur, trailing Buckingham and Guiche as admirers, and Raoul calms a near-battle at the coast. Louis postpones Raoul's marriage to Louise. At Fontainebleau the king's game of pretended gallantry toward one of Madame's maids ends in genuine love for Louise, crowned by the gift of Anne of Austria's bracelets. Behind the fêtes, Aramis gains the Bastille's secrets and the Jesuit generalship, and Colbert steers Fouquet toward ruinous expense.

Structure. Crowded and episodic, the volume braids comic schemes, duels and love scenes with a quieter conspiracy, and relies on overheard words to turn its plot. Settings shift from the Channel coast to the Bastille's towers and the oaks and labyrinth of Fontainebleau's park.

Themes. Desire and its disguises, slander and honour, the dependence of private happiness on a prince's favour, and power gathered in secret.

Content note. Married royals flirt openly and the king's affair is the main plot; there are duels and a suggested poisoning, but nothing explicit.

Main characters

  • D'Artagnan: Newly made captain, ironic observer of the court
  • Raoul: Peacemaker at Le Havre whose marriage the king delays
  • Louise de la Vallière: Maid of honour who confesses her love for the king
  • Louis XIV: Young monarch whose feigned courtship turns real
  • Madame (Henrietta of England): Coquettish bride of Monsieur and the king's first flirtation
  • Comte de Guiche: Courtier secretly devoted to Madame
  • Aramis: Bishop who becomes General of the Jesuits
  • Fouquet: Superintendent baited into the fête at Vaux

Summary

Ten Years Later is the second of Project Gutenberg's four volumes of The Vicomte de Bragelonne, numbered here as Chapters I-LXV (chapters 76-140 of the whole novel). It begins where the first volume stopped: d'Artagnan, spurs bloody from the ride from Brittany, reaches the Louvre an hour after Fouquet has made the king a present of Belle-Isle. His report is useless, but Louis rewards his zeal with the captaincy of the musketeers that he has waited thirty years to hold. From there the book becomes a court novel set in 1661. Henrietta of England, sister of Charles II, crosses from England to marry Monsieur, the king's brother. At Le Havre her two admirers, the Duke of Buckingham and the Comte de Guiche, nearly bring the English and French escorts to blows, and Raoul's tact keeps the peace. In Paris Monsieur grows jealous, first of Buckingham, whom Anne of Austria persuades to go home, then of Guiche. The spiteful De Wardes slanders d'Artagnan and Raoul and is humiliated by d'Artagnan and Athos; he and Buckingham later fight on the sands at Calais until the tide nearly drowns them. Raoul obtains his father's consent to marry Louise de la Vallière, now a maid of honour to Madame, but the king, asked for his own consent, declares her neither rich nor pretty enough and postpones the match. At Fontainebleau the court bathes, hunts butterflies and dances the Ballet of the Seasons. The king and Madame flirt so openly that, to quiet gossip, they agree he will pretend to court one of her maids. Under the royal oak Louise confesses to her friends that she could love no one but the king, not knowing he is listening. The pretence becomes real: after an outburst of royal pride, a night visit through Malicorne's contrivance, and a storm in which Louis shelters her under a tree, the king's passion for Louise is plain to everyone except Raoul. Beneath the courtship runs the political plot. Colbert manages the fêtes and baits Fouquet into offering the king a fête at Vaux that will cost millions. Madame de Bellière sells her plate to keep Fouquet solvent. Aramis pays the debts of Baisemeaux, governor of the Bastille, and visits a young prisoner in the tower called la Bertaudière; at an inn he attends the deathbed of the General of the Jesuits and becomes his successor. A lost letter from Fouquet to Louise makes Aramis suspect betrayal. The volume ends at Anne of Austria's lottery, where Louis gives the prize bracelets to Louise before the whole court. The comedy is real, but so is the cost: every alliance is now hostage to the king's desire.

Virtues in this work

  • Faith: Raoul keeps his promise to Louise and trusts the king's word, a fidelity the volume honours and puts at risk.
  • Prudence: Raoul's mediation at Le Havre and d'Artagnan's handling of De Wardes avoid bloodshed where pride invited it.
  • Temperance: The volume shows what happens when appetite rules a court, from Monsieur's jealousy to the king's passion.

Plot or Argument

  • A captain at last (Ch. I)

    D'Artagnan's news of Belle-Isle has been forestalled by Fouquet's gift, but Louis makes him captain of the musketeers and keeps him close.

  • Blois and the maids of honour (Ch. II-VI)

    Gaston d'Orléans dies at Blois. Montalais and her suitor Malicorne, with the idle Manicamp, scheme to win places at court, and Louise is appointed maid of honour to the new Madame.

  • Le Havre and the English escort (Ch. VII-XIII)

    Guiche falls in love with Madame's portrait and then with Madame; Buckingham, who adores her, quarrels with the French at the tents on the shore. Raoul mediates and wins Buckingham's friendship.

  • Consent refused (Ch. XIV-XX)

    After the wedding, Louise gives Raoul her hand in promise; Athos consents, but the king defers the marriage. Anne of Austria sends Buckingham home, and d'Artagnan and Athos humble De Wardes for his slanders.

  • Bastille, plate and the beach at Calais (Ch. XXI-XXIX)

    Aramis buys his way into the confidence of Baisemeaux and the Bastille registers. Madame de Bellière gives Fouquet her plate as a 'dowry'. Buckingham and De Wardes duel in the rising tide.

  • Fontainebleau (Ch. XXX-XLV)

    Monsieur's jealousy, the king's mediation and growing attraction to Madame, the bath and the butterfly-chase, the Ballet of the Seasons, Louise's confession under the royal oak, and Madame's discovery of Guiche's love.

  • Jesuits and the king's secret (Ch. XLVI-LX)

    Colbert's trap over the fête at Vaux; Saint-Aignan's night spying; the death of the Jesuit General at the Beau Paon and Aramis's succession; the pastoral tale that angers Louis; the first avowal between Louis and Louise.

  • Storm, letter and lottery (Ch. LXI-LXV)

    Louis shelters Louise in the storm while Aramis and Fouquet watch; Fouquet's letter to Louise goes astray through his servant Toby; Anne of Austria's lottery ends with the bracelets on Louise's arm.

Characters

  • D'Artagnan, captain of the musketeers

    Newly promoted, the king's trusted officer; he watches the court with a soldier's irony and defends Raoul against De Wardes.

  • Raoul, Vicomte de Bragelonne, Athos's son

    Brave, courteous and trusting; the peacemaker at Le Havre, whose engagement to Louise is suspended by royal whim.

  • Louise de la Vallière, maid of honour

    Gentle, devout and candid, unable to hide that she loves the king; Dumas presents her with sympathy and sorrow.

  • Louis XIV, king

    Twenty-three, proud and quick to anger, moving from a dangerous flirtation with his sister-in-law to passion for her maid.

  • Henrietta of England (Madame), wife of Monsieur

    Witty, charming and restless; she plays with the hearts of Buckingham, Guiche and the king and is wounded when the king turns to Louise.

  • Philippe, Duc d'Orléans (Monsieur), the king's brother

    Vain and jealous, managed by the malicious Chevalier de Lorraine.

  • Comte de Guiche, Raoul's friend

    Hopelessly in love with Madame; his confessions to Raoul are overheard by Madame herself.

  • Duke of Buckingham, English nobleman

    Son of the Buckingham of The Three Musketeers, devoted to Madame, sent home by Anne of Austria.

  • De Wardes, courtier

    Son of d'Artagnan's old enemy, a slanderer and duellist.

  • Aramis, Bishop of Vannes

    Fouquet's counsellor, who gains a secret foothold in the Bastille and becomes General of the Jesuits.

  • Fouquet, superintendent of finance

    Generous and imprudent; trapped into an expensive fête at Vaux and drawn toward Louise.

  • Colbert, intendant

    Patient enemy of Fouquet who organizes the Fontainebleau fêtes.

  • Montalais and Malicorne, schemers

    A clever maid of honour and her ambitious suitor who trade in places, keys and secrets.

  • Anne of Austria, queen-mother

    Ageing and unwell, still shrewd; dismisses Buckingham and stages the lottery.

Lessons

  • A pretence that becomes a passion

    Louis and Madame agree that he will feign interest in one of her maids to quiet the court; the feigned courtship becomes his ruling passion. Dumas shows how games with the affections escape their players. Students can trace the stages from pretext to confession and ask who bears responsibility for each step.

    • Why do Louis and Madame agree on the pretence in the butterfly-chase chapters, and what does each hope to gain?
    • At what moment does the pretence stop being a pretence?
    • What does Madame's reaction at the lottery show about the cost of the game she began?
  • Peacemaking at Le Havre

    Raoul is at his best between the tents at Le Havre, where he keeps Buckingham's jealousy from turning into a battle between English and French escorts. Dumas gives him courage without swagger. Ask what makes a mediator effective and why Buckingham ends by offering friendship.

    • What causes the quarrel at the tents, and how does Raoul end it?
    • Why does Buckingham say that in his family 'we die to save our friends'?
    • How does Raoul's skill as a peacemaker contrast with his helplessness in his own love affair?
  • Slander and its answer

    De Wardes insults d'Artagnan's honour and spreads malicious hints about Louise. D'Artagnan and Athos answer not with an immediate duel but with a cold exposure in front of witnesses, and then Buckingham takes the quarrel to the sands at Calais. Students can weigh the different responses to slander and the honour code that governs them.

    • What does De Wardes say, and why does it touch d'Artagnan personally?
    • How do d'Artagnan and Athos handle him in 'Sword-Thrusts in the Water'?
    • What does the duel in the tide at Calais suggest about where De Wardes's malice leads?
  • Hidden power behind the festivals

    While the court dances, Aramis gains the Bastille registers, the Jesuit generalship and a view into Fouquet's affairs, and Colbert maneuvers Fouquet toward ruin. Dumas places politics in the background of nearly every pleasure. The lesson is to read the volume in two layers and see how the private and public plots touch.

    • What does Aramis learn and buy in the Bastille chapters?
    • Why does Fouquet say 'You have ruined me' after accepting to entertain the king, and why does Aramis answer that he has saved him?
    • How does the death at the Beau Paon change Aramis's power?

Context

The action covers 1661, the first year of Louis XIV's personal rule. Henrietta of England married Philippe d'Orléans on 31 March 1661; Buckingham's infatuation with her and his recall are historical, as are the summer at Fontainebleau, the Ballet des Saisons in which the king danced, and the beginning of Louise de la Vallière's relationship with Louis that summer. Dumas also bends chronology: he places Gaston d'Orléans's death at the opening of this volume, though Gaston died in February 1660, and a Gutenberg footnote corrects another of his dates. The Jesuit generalship plot, the Bastille prisoner and most dialogue are fiction.

Composition

Written with Auguste Maquet and serialized in Le Siècle (1847-1850) as part of Le Vicomte de Bragelonne. The anonymous English translation used by Project Gutenberg divides the novel into four parts; this one is the second, and the translator rewrote some court verses for their flavour rather than their sense.

Reception

The Fontainebleau chapters were admired for their vivacity and their picture of the young king and Madame, but English publishers often cut or split them, and the volume has been less read than The Man in the Iron Mask. Its account of Louise de la Vallière shaped the popular image of her as the one mistress who loved Louis for himself.

Comparisons

  • The Vicomte de Bragelonne

    The first Gutenberg volume ends with Fouquet's gift of Belle-Isle; this one opens with d'Artagnan's wasted ride, so Fouquet's victory and d'Artagnan's captaincy arrive in the same hour.

  • Louise de la Vallière

    The following volume carries Louise's affair with the king into public scandal and sends Raoul toward his discovery of it; the bracelets of the lottery are its starting point.

  • The Three Musketeers

    Buckingham's son loves an English princess married into the French royal house, as his father loved Anne of Austria; Anne herself, now old, sends him away with memories of the earlier passion.

  • Bérénice

    A long-told story holds that Henrietta of England set Racine and Corneille the same subject in 1670; Racine's emperor gives up the woman he loves for duty, the renunciation Dumas's young Louis declines to make.

Quotes

“I am your friend; whatever you would wish me to do, I will do”
— Alexandre Dumas, Ten Years Later, Chapter III, trans. Anonymous 19th-century translation.Quote card
“His own personal disappointment seemed contemptible, in comparison with the anger of the king”
— Alexandre Dumas, Ten Years Later, Chapter LVIII, trans. Anonymous 19th-century translation.Quote card
“Fouquet bowed with a smile to him who, an hour before, was bringing him ruin and death”
— Alexandre Dumas, Ten Years Later, Chapter I, trans. Anonymous 19th-century translation.Quote card
“we die to save our friends”
— Alexandre Dumas, Ten Years Later, Chapter XII, trans. Anonymous 19th-century translation.Quote card
“a woman who has truly loved is always young, and that the bloom of the girl of twenty years ever lies concealed in some secret cloister of the heart”
— Alexandre Dumas, Ten Years Later, Chapter XVII, trans. Anonymous 19th-century translation.Quote card
“You have ruined me,” whispered Fouquet, in a low tone, to Aramis. “I have saved you,” replied the latter”
— Alexandre Dumas, Ten Years Later, Chapter XLVI, trans. Anonymous 19th-century translation.Quote card
“If I am not mistaken, that girl will become the strongest passion of the king’s life”
— Alexandre Dumas, Ten Years Later, Chapter LXII, trans. Anonymous 19th-century translation.Quote card
“but why desire that which can never, by any possibility, be ours”
— Alexandre Dumas, Ten Years Later, Chapter LXV, trans. Anonymous 19th-century translation.Quote card

For Students

A reading companion for classical Christian high school students. See the student guide.

Reading Guide

Watch for

  • D'Artagnan's arrival at the Louvre in Chapter I and the two very different rewards Fouquet and he receive in the same hour.
  • Raoul between the English and French tents at Le Havre (Chapters X-XII).
  • The king's audience with Athos and Raoul in Chapter XVIII, and the reasons Louis gives for delaying the marriage.
  • Overheard conversations at Fontainebleau: the royal oak, the chestnut tree, the ladder and the labyrinth.
  • Aramis's movements behind the festivals: the Bastille, the Beau Paon and the lost letter.

Key terms and names

Captain of the musketeers
Command of the king's musketeers, the post d'Artagnan finally receives in Chapter I.
Monsieur and Madame
Court titles of the king's brother Philippe, Duc d'Orléans, and his wife Henrietta of England.
Maid of honour
A young noblewoman attending a princess; Louise, Montalais and Tonnay-Charente serve Madame.
La Bertaudière
A tower of the Bastille where Aramis visits prisoners under the governor Baisemeaux.
General of the Jesuits
Head of the Society of Jesus; in Dumas's fiction a hidden power whose office passes secretly to Aramis.
Ballet of the Seasons
The court ballet at Fontainebleau in which the king dances Spring.

Seminar Questions

  1. Comprehension Why is d'Artagnan's news about Belle-Isle no longer useful when he reaches the king, and what reward does he receive anyway?
  2. Comprehension What does Louise say under the royal oak, and who overhears her?
  3. Interpretation Why does the king refuse to approve Raoul's marriage in Chapter XVIII? Are his stated reasons his real ones?
  4. Interpretation How does Dumas use overheard conversations to move the plot at Fontainebleau? What does eavesdropping reveal about the court?
  5. Interpretation How do Aramis's secret gains in this volume change the balance between Fouquet and Colbert?
  6. Big Question When a ruler's desires decide other people's marriages and fortunes, what can a faithful subject or friend still do? Use Raoul, d'Artagnan and Louise to answer.

Faith Connections

  • Proverbs 6:27-28 (Scripture)

    'Can a man take fire in his bosom, and his clothes not be burned?' Louis and Madame, both married, agree to play at a false courtship to hide a real flirtation, and the fire spreads to Louise, Raoul and the whole court.

  • Proverbs 26:20-22 (Scripture)

    Where there is no talebearer, the strife ceaseth. De Wardes, the Chevalier de Lorraine and Tonnay-Charente keep the court's quarrels burning with words, and Dumas shows the damage a whisper can do.

  • Psalm 146:3 (Scripture)

    Raoul's happiness hangs on the king's consent, and the king's interest has already turned elsewhere; the psalm's warning about trusting princes fits his position exactly.

  • Racine, Bérénice (Great Conversation)

    Racine's tragedy, traditionally linked to Henrietta of England, shows a ruler who renounces a beloved for the sake of duty, a useful counterweight to Louis's choices in this volume.

Logic and Rhetoric

Central argument: In the first year of his personal rule Louis XIV holds every favour at court; love, marriage, friendship and fortune therefore depend on his wishes; his flirtation with Madame and turn to Louise, begun as a game, reorder the whole court; meanwhile Aramis and Colbert use the festivals to build hidden power; so the volume shows a world where private faithfulness, like Raoul's, is admirable but exposed.

Rhetorical device: eavesdropping as plot engine. Under the royal oak in Chapter XLI Louise confesses that she could love only the king, and Louis and Saint-Aignan hear it from the bushes; a few chapters later Madame hides by a chestnut tree to overhear Guiche and Raoul.

Debate: Resolved: that the king, not Louise, bears chief responsibility for what happens to Raoul's engagement.

Memory Work

I am your friend; whatever you would wish me to do, I will do

Chapter III, trans. Anonymous 19th-century translation. Montalais's plain promise to Louise at Blois, made before court life tests every promise in the book.

Writing Prompts

Essay: Compare Louise de la Vallière and Madame as Dumas portrays them at Fontainebleau. Argue which woman has more freedom to choose, and what each choice costs.

Comparison with The Vicomte de Bragelonne: In the first volume d'Artagnan serves the king by riding to Belle-Isle; in this one he serves by watching a court. Compare the kinds of loyalty each volume asks of him.

Medical Lens

Two short episodes touch medicine. At the inn of the Beau Paon a dying Franciscan, secretly the General of the Jesuits, summons the local physician Grisart; after the death Aramis tells Grisart to empty the glass of 'what the grand council desired you to put in', implying the physician acted as an instrument of the order. Anne of Austria's suffering and her physician's opinions are mentioned as she declines. Dumas gives no diagnosis, and any identification of the queen-mother's illness belongs to history, not to this text.

  • Ch. LI-LIII, 'What Actually Occurred at the Inn Called the Beau Paon', 'A Jesuit of the Eleventh Year', 'The State Secret'

    The feverish Franciscan calls for a physician and a confessor; Grisart attends him and prepares a cordial; after his death Aramis's words reveal that the physician had been directed to add something to the glass.

  • Ch. LXIV, 'Madame's Four Chances'

    Anne of Austria, suffering acutely and losing her looks, finds her physician's opinions less painful than the neglect of courtiers.

Creative Prompts

  • Classroom

    Make a map of the gardens of Fontainebleau as Dumas uses them: the royal oak, the chestnut tree, the labyrinth and the bathing place at Vulaines, with who overhears whom at each spot.

  • Essay

    Louise says of the bracelets, 'why desire that which can never, by any possibility, be ours?' Argue whether the king's gift honours her or endangers her, using the reactions of Madame, Montalais and Anne of Austria.

  • Dialogue

    Write the conversation Raoul and Athos might have on the road back from the king, after Louis has refused to give his consent.

  • Fiction

    Retell the duel on the beach at Calais from the point of view of the fisherman who pulls De Wardes out of the tide.

Further Reading

  • Louise de la Vallière, Alexandre Dumas

    The next volume of the novel.

  • The Vicomte de Bragelonne, Alexandre Dumas

    The preceding volume.

  • Bérénice, Jean Racine

    Racine's 1670 tragedy of love renounced for duty.

  • Louis XIV and Twenty Million Frenchmen, Pierre Goubert

    Social and political history of the reign.

Verification notes

Rewritten from the attached Project Gutenberg text (#2681). Chapter numbers are those of this text (I-LXV); the volume corresponds to chapters 76-140 of the complete novel. New quotes are exact substrings of the attached text (whitespace normalised).

  • Historical overview gives Gaston d'Orléans's death as February 1660, while Dumas places it at the start of this volume; confirm the date before publishing.
  • The Henrietta-Racine-Corneille story behind the Bérénice comparison is a later tradition; present it as such.