Work record

Songs of Innocence and of Experience

1789–1794 · 18th Century · Poetry · English

Abstract

Written
Innocence 1789; combined with Experience 1794
Setting
Late eighteenth-century London; London, England, and pastoral scenes
Country
Kingdom of Great Britain
Language
English
Genre
Lyric poetry collection
Form
Two series of short songs in simple stanzas, originally etched and hand-coloured
Recommended
Grades 5–12 (Short lyrics; some dark social poems in Experience.)

Background. A London engraver, Blake invented his own way of etching words and pictures on copper and coloured each copy by hand with his wife. The first series appeared in 1789 and the darker companion five years later.

Content. In the first group a shepherd-musician sings at a child's request of lambs, a little African boy, a sweep's dream of release, charity children in a cathedral and a God found in mercy and love. The second group answers with a prophetic voice: the same cathedral scene now seems a scandal, another sweep accuses his churchgoing parents, a rose is secretly destroyed, a burning beast raises the question of its Creator, and the city's streets ring with misery.

Form. Short rhymed lyrics in ballad and hymn-like stanzas.

Themes. Childhood trust, the fallen world, social injustice and Christ the Lamb. The paired titles invite comparison: a chimney sweep, a charity procession, a nurse's song and an introduction appear in both series, seen first with trust and then with protest. The collection asks how faith in a loving Creator can survive the sight of so much suffering among the poor.

Reception. Ignored in his day, the songs became beloved after Victorian admirers championed Blake.

For students. Use pairs in grades 6-12; preview the experienced poems for darker themes.

Main characters

  • The piper: Singer of Innocence
  • The Bard: Voice of Experience
  • Child speakers: Including the chimney-sweepers

Summary

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul, is William Blake's collection of short lyrics, first issued as Songs of Innocence in 1789 and combined with Songs of Experience in 1794. Blake printed the poems himself by relief etching on copper plates, then coloured each page by hand with his wife Catherine, so that every poem is also a picture; this edition gives the text alone. Songs of Innocence opens with a piper who, at the request of a child on a cloud, pipes a song about a lamb and then writes his songs in a book that every child may joy to hear. The poems that follow are spoken mostly by children or by loving adults: The Lamb, in which a child tells a lamb that its maker is Christ, who calls Himself a Lamb; The Little Black Boy, The Chimney-Sweeper, in which a little sweep dreams of an angel freeing the boys from their coffins of soot; The Divine Image, which finds God in Mercy, Pity, Peace and Love; Holy Thursday, describing charity children singing in St Paul's; and the Cradle Song, Night and On Another's Sorrow. Songs of Experience answers these with a darker voice. The Bard calls fallen Earth to awake; Holy Thursday asks whether it is holy to see babes reduced to misery in a rich land; the experienced Chimney-Sweeper complains that his parents have gone to church to praise God while he labours; The Sick Rose is destroyed by an invisible worm; The Tiger asks whether He who made the lamb made the fearful beast; London hears the mind-forged manacles in every cry; and A Poison Tree shows how hidden anger grows into murder. The two series are meant to be read together: innocence is not ignorance but trust, and experience exposes the cruelty of a society that exploits children while claiming to be Christian. Blake's own faith was intense and unconventional, but the Songs draw constantly on the Bible and on the image of Christ the Lamb. They are among the most widely taught poems in English and an ideal introduction to the art of reading paired poems against each other.

Virtues in this work

  • Charity: The Divine Image finds God in Mercy, Pity, Peace and Love.
  • Justice: Experience protests the exploitation of children.

Plot or Argument

  • Introduction (Innocence)

    The piper is asked by a child to pipe a song about a lamb and to write it down.

  • Songs of Innocence

    The Lamb, The Little Black Boy, The Chimney-Sweeper, The Divine Image, Holy Thursday and other songs of trust.

  • Introduction (Experience)

    The Bard calls fallen Earth to arise from her long night.

  • Songs of Experience

    Holy Thursday, The Chimney-Sweeper, The Sick Rose, The Tiger, London and A Poison Tree expose a fallen world.

Characters

  • The piper, speaker

    Singer of the Songs of Innocence.

  • The Bard, speaker

    Prophetic voice of the Songs of Experience.

  • The chimney-sweepers, children

    Boys sold into dangerous labour.

  • The child, speaker

    The innocent voice of The Lamb and other songs.

Lessons

  • Reading pairs

    Many poems have partners in the other series. Meaning grows when they are read together.

    • Compare the two Chimney-Sweeper poems.
    • Compare The Lamb and The Tiger.
    • What does each pair show about innocence and experience?
  • Christ the Lamb

    The Lamb answers its own question: the Maker is the One who calls Himself a Lamb.

    • Who made the lamb, according to the child?
    • Read John 1:29. How does it shed light on the poem?
    • Why might Blake choose a child as speaker?
  • Social conscience

    Experience exposes child labour and poverty in a Christian nation.

    • What does London hear in every cry?
    • Who is blamed in the experienced Chimney-Sweeper?
    • How should Christians respond to such injustice?

Context

Blake wrote in London during the early Industrial Revolution and the French Revolution; boys as young as four or five were sold as chimney sweeps, and charity children were paraded on Holy Thursday at St Paul's.

Composition

Songs of Innocence etched and printed by Blake in 1789; the combined Songs of Innocence and of Experience in 1794, in very small hand-coloured runs. This text is the 1901 R. Brimley Johnson edition.

Reception

Little known in Blake's lifetime, the Songs were rediscovered by the Victorians, especially after Gilchrist's Life of Blake (1863), and are now among the most taught poems in English.

Comparisons

  • The Tyger

    The most famous of the Songs of Experience, already in the library.

  • Lyrical Ballads

    Wordsworth and Coleridge's contemporary experiment in simple song.

  • Psalm 23

    The Good Shepherd psalm behind the pastoral imagery of Innocence.

  • The Pilgrim's Progress

    Bunyan's allegory, a favourite of Blake, who illustrated it.

Quotes

For Students

A reading companion for classical Christian high school students. See the student guide.

Reading Guide

Watch for

  • The two Introductions.
  • Paired poems with the same title.
  • The child speakers of Innocence.
  • The questions of The Tiger.
  • The accusations of London and the experienced Chimney-Sweeper.

Key terms and names

Innocence
For Blake, a state of trust and joy, not simple ignorance.
Experience
The state of the soul that has met cruelty, fear and oppression.
Illuminated printing
Blake's method of etching text and image together and colouring by hand.
Contrary states
Blake's subtitle: the two series show opposite conditions of the soul.
Chimney sweep
A child employed to climb and clean chimneys, often in danger.

Seminar Questions

  1. Comprehension What does the child in the Introduction ask the piper to do?
  2. Comprehension Who made the lamb, according to The Lamb?
  3. Interpretation How do the two Chimney-Sweeper poems differ in their view of the boys' suffering?
  4. Interpretation What are mind-forged manacles?
  5. Interpretation Why might The Tiger ask so many questions?
  6. Big Question Can one keep innocence after meeting experience?

Faith Connections

  • John 1:29 (Scripture)

    Behold the Lamb of God, which taketh away the sin of the world.

  • Matthew 19:14 (Scripture)

    Suffer little children to come unto me: Innocence's trust.

  • Isaiah 1:17 (Scripture)

    Seek justice, relieve the oppressed: Experience's protest.

  • Fall and redemption (Great Conversation)

    The two states mirror the biblical story of innocence lost and grace offered.

Logic and Rhetoric

Central argument: Songs spoken in innocence show trust in a loving God and in one another; songs of experience expose fear, cruelty and hypocrisy; read together they show two contrary states of the soul and call readers to recover a higher innocence through mercy and love.

Rhetorical device: paired poems. Blake places poems with matching titles in the two series so that each answers the other.

Debate: Resolved: that experience is wiser than innocence.

Memory Work

Piping down the valleys wild,

Introduction (Innocence). The opening of the whole collection.

Did He who made the lamb make thee?

The Tiger. Blake's great question.

Writing Prompts

Essay: Compare one pair of poems from Innocence and Experience and show how each changes the meaning of the other.

Comparison with The Tyger: Read The Lamb and The Tiger together.

Creative Prompts

  • Poetry

    Write a pair of poems on one subject, one innocent and one experienced.

  • Classroom

    Display pairs of poems side by side and have students list contrasts.

  • Essay

    Are innocence and experience opposites, or stages of one journey?

Further Reading

  • The Pilgrim's Progress, John Bunyan

    Blake illustrated it.

  • Life of William Blake, Alexander Gilchrist

    The 1863 biography that revived Blake.

Verification notes

Text from Gutenberg #1934 (R. Brimley Johnson, 1901). This edition spells the title The Tiger. Blake's coloured plates are not reproduced. Dates of Innocence (1789) and the combined issue (1794) are standard.

No verification flags recorded.