Work record
The Vicar of Wakefield
Oliver GoldsmithThe Vicar of Wakefield by Oliver Goldsmith (1766)The Vicar of Wakefield, published in 1766, is a short novel narrated by Dr Charles Primrose, a good-hearted, learned and somewhat vain country clergyman.1766 · 18th Century · Novel · English
Abstract
Background. Goldsmith wrote the manuscript in poverty in London; a famous anecdote says Johnson sold it to save his friend from the bailiffs. Its subtitle calls it a tale supposed to be written by the vicar himself.
Content. A kindly parson and his household lose their money and resettle as tenants of a charming rake. A shabby stranger keeps appearing at moments of need. Comic vanities pile up, until the landlord carries off the elder daughter. Then fire, illness and a gaol cell strip the clergyman of everything, yet he preaches to fellow inmates. A rapid series of revelations finally rights every wrong.
Form. Brief chapters with inset ballads, an elegy and a sermon.
Themes. Resignation to Providence, family affection, the folly of social ambition and the power of forgiveness.
Reception. Goethe and generations of Victorian families treasured it; modern critics debate how far the narrator's goodness is gently mocked. The clergyman-narrator is both admirable and gently ridiculous: learned, generous and steadfast, yet fond of his own pamphlets on clerical marriage and easily flattered. His wife and children are drawn with the same affectionate irony, so that readers laugh at the household while loving it, and the later sufferings strike all the harder for that warmth.
For students. Suitable for grades 9-12; discuss Olivia's story with care.
Main characters
- Dr Primrose: Narrator and clergyman
- Deborah Primrose: His ambitious wife
- Olivia and Sophia: Their daughters
- Squire Thornhill: Rakish landlord
- Sir William Thornhill: Disguised benefactor
Summary
The Vicar of Wakefield, published in 1766, is a short novel narrated by Dr Charles Primrose, a good-hearted, learned and somewhat vain country clergyman. He lives happily with his wife Deborah, who is proud of her housekeeping and ambitious for her daughters, and their six children, including the eldest son George, the beautiful Olivia, the gentle Sophia and the simple Moses. Disaster strikes when the merchant who holds his money goes bankrupt, and the family must move to a poorer parish, where Primrose farms land rented from the young Squire Thornhill. A poor but wise gentleman, Mr Burchell, befriends them and rescues Sophia from drowning. Mrs Primrose's hopes of marrying her daughters above their station lead to comic episodes: the family portrait painted so large it will not fit through the door, Moses sent to market to sell a colt who comes home with a gross of green spectacles, and the vicar himself cheated in turn by the same swindler, Ephraim Jenkinson. More serious troubles follow. The squire seduces Olivia through what she believes is a marriage, and she runs away with him. The vicar searches for her, meets George, now a wandering player, and finally finds Olivia abandoned at an inn and brings her home in forgiveness. Their house burns down, and when the vicar refuses to approve the squire's marriage to another woman, he is thrown into debtors' prison. There, ill and grieving, he preaches to the prisoners and reforms them, and delivers a sermon on the justice of Providence and the hope of heaven. Then everything turns: Burchell is revealed as Sir William Thornhill, the squire's wise uncle; Jenkinson reveals that he procured a real marriage licence, so Olivia is the squire's lawful wife; George marries his sweetheart Arabella Wilmot; Sophia marries Sir William; and the vicar's fortune is restored. Goldsmith's novel, sold for him by Samuel Johnson, according to Boswell, to save him from arrest for debt, became one of the most loved books of the eighteenth and nineteenth centuries, praised for its picture of a Christian family's patience under trials, its gentle humour and its sentimental warmth, even if its happy ending is deliberately improbable.
Virtues in this work
Plot or Argument
- Chapters I-III: prosperity and ruin
The vicar's happy family loses its fortune and moves to a humble parish.
- Chapters IV-XVI: the new parish
Mr Burchell, Squire Thornhill, the family portrait, Moses and the green spectacles.
- Chapters XVII-XXII: Olivia's fall
The squire elopes with Olivia; the vicar searches for her and brings her home.
- Chapters XXIII-XXIX: prison
The house burns; the vicar is imprisoned for debt, preaches to the prisoners and gives his sermon on Providence.
- Chapters XXX-XXXII: restoration
Burchell is Sir William Thornhill; Olivia's marriage proves valid; all are restored.
Characters
- Dr Charles Primrose, narrator
The kindly, learned, slightly vain vicar.
- Deborah Primrose, wife
His wife, a proud housekeeper ambitious for her daughters.
- Olivia, daughter
The lively elder daughter seduced by the squire.
- Sophia, daughter
The gentle younger daughter who marries Sir William.
- George, son
The eldest son, a wandering scholar and player.
- Moses, son
The bookish son cheated at the fair.
- Squire Thornhill, villain
The vicar's landlord, a rake.
- Mr Burchell / Sir William Thornhill, benefactor
The squire's wise uncle in disguise.
- Ephraim Jenkinson, rogue
A swindler who reforms in prison.
Lessons
Patience under trial
Like Job, the vicar loses wealth, home, health and freedom but keeps his faith.
- List the vicar's losses.
- Compare his prison sermon with Job 1:21.
- Is his patience heroic or passive?
Vanity and ambition
Mrs Primrose's social climbing leads to comic and serious trouble.
- Which episodes mock the family's vanity?
- How does ambition make Olivia vulnerable?
- What does the vicar learn about himself?
Forgiveness
The vicar receives his fallen daughter home and forgives his enemies.
- How does he greet Olivia?
- Compare the parable of the prodigal son.
- Why does he refuse to approve the squire's new marriage?
Context
Written about 1761-62 in London amid Goldsmith's hack work; it reflects Anglican rural life, debtors' prisons and the Georgian marriage market. The 1753 Marriage Act had made clandestine marriages invalid.
Composition
Sold to the bookseller Francis Newbery (by Boswell's account, through Johnson's intervention) and published in 1766.
Reception
Hugely popular, translated widely and admired by Goethe; Victorian readers loved it as a family classic.
Comparisons
- Pride and Prejudice
Another family story of marriage, an elopement and a rescue.
- The Pilgrim's Progress
Trials met with faith on the road to the heavenly city.
- She Stoops to Conquer
Goldsmith's comedy of mistaken manners.
- The Deserted Village
Goldsmith's portrait of the village preacher.
Quotes
Frequently cited
“I was ever of opinion, that the honest man who married and brought up a large family, did more service than he who continued single, and only talked of population.”
Frequently cited
“The man recovered of the bite, The dog it was that dy’d.”
Frequently cited
“When lovely woman stoops to folly, And finds too late that men betray,”
For Students
A reading companion for classical Christian high school students. See the student guide.
Reading Guide
Watch for
- The vicar's gentle vanity as narrator.
- Comic episodes of family pride.
- Mr Burchell's hints about his identity.
- The prison sermon in Chapter XXIX.
- The improbable happy ending.
Key terms and names
- Vicar
- A parish priest of the Church of England.
- Debtors' prison
- A gaol where those who could not pay debts were held.
- Sentimental novel
- An eighteenth-century novel valuing feeling, sympathy and virtue in distress.
- Providence
- God's care and governance of the world.
- Monogamist
- The vicar's term for his belief that a clergyman should marry only once.
Seminar Questions
- Comprehension How does the vicar lose his fortune?
- Comprehension Who is Mr Burchell really?
- Interpretation How does the vicar's vanity contribute to the family's troubles?
- Interpretation What does the prison sermon say about suffering and happiness?
- Interpretation Why might Goldsmith make the happy ending so improbable?
- Big Question Does God reward patience in this life, or only in the next?
Faith Connections
- Job 1:21 (Scripture)
The Lord gave, and the Lord hath taken away; blessed be the name of the Lord.
- Luke 15:20 (Scripture)
The father ran to meet the prodigal son, as the vicar receives Olivia.
- Matthew 25:36 (Scripture)
I was in prison, and ye came unto me: the vicar's ministry to prisoners.
Logic and Rhetoric
Central argument: A good but vain clergyman loses fortune, home, daughter and freedom; he meets each trial with faith, forgiveness and charity, even ministering in prison; and Providence restores what was lost, so the novel shows patience under suffering vindicated.
Rhetorical device: first-person narrator. The vicar's self-revealing narration lets the reader smile at his vanity while admiring his goodness.
Debate: Resolved: that the vicar's patience is a virtue, not weakness.
Memory Work
I was ever of opinion, that the honest man who married and brought up a large family, did more service than he who continued single, and only talked of population.
The man recovered of the bite, The dog it was that dy’d.
Writing Prompts
Essay: How does Goldsmith combine comedy and Christian teaching in The Vicar of Wakefield?
Comparison with Pride and Prejudice: Compare Olivia's elopement with Lydia Bennet's and how each family responds.
Creative Prompts
- Essay
Is the vicar a Christian hero or a comic figure? Use the prison chapters.
- Dialogue
Write the conversation when the vicar finds Olivia at the inn.
- Classroom
Stage the family portrait scene or Moses at the fair.
Further Reading
- The Book of Job, Scripture
The model of patience under trial.
- The Life of Samuel Johnson, James Boswell
Includes the story of the novel's sale.
Verification notes
Text from Gutenberg #2667. The anecdote of Johnson selling the manuscript is from Boswell and slightly uncertain in detail. HS note: Olivia's seduction by sham marriage is handled discreetly; Olivia's song suggests death as atonement, which the novel answers with forgiveness.
No verification flags recorded.