Work record

The Vicar of Wakefield

1766 · 18th Century · Novel · English

Abstract

Written
Written c.1761-62; published 1766
Setting
Mid-eighteenth-century England; A country parish and its neighbourhood, England
Country
Kingdom of Great Britain
Language
English
Genre
Sentimental novel / domestic comedy
Form
Thirty-two short chapters narrated in the first person
Recommended
Grades 8–12 (Eighteenth-century prose; gentle comedy with a seduction subplot.)

Background. Goldsmith wrote the manuscript in poverty in London; a famous anecdote says Johnson sold it to save his friend from the bailiffs. Its subtitle calls it a tale supposed to be written by the vicar himself.

Content. A kindly parson and his household lose their money and resettle as tenants of a charming rake. A shabby stranger keeps appearing at moments of need. Comic vanities pile up, until the landlord carries off the elder daughter. Then fire, illness and a gaol cell strip the clergyman of everything, yet he preaches to fellow inmates. A rapid series of revelations finally rights every wrong.

Form. Brief chapters with inset ballads, an elegy and a sermon.

Themes. Resignation to Providence, family affection, the folly of social ambition and the power of forgiveness.

Reception. Goethe and generations of Victorian families treasured it; modern critics debate how far the narrator's goodness is gently mocked. The clergyman-narrator is both admirable and gently ridiculous: learned, generous and steadfast, yet fond of his own pamphlets on clerical marriage and easily flattered. His wife and children are drawn with the same affectionate irony, so that readers laugh at the household while loving it, and the later sufferings strike all the harder for that warmth.

For students. Suitable for grades 9-12; discuss Olivia's story with care.

Main characters

  • Dr Primrose: Narrator and clergyman
  • Deborah Primrose: His ambitious wife
  • Olivia and Sophia: Their daughters
  • Squire Thornhill: Rakish landlord
  • Sir William Thornhill: Disguised benefactor

Summary

The Vicar of Wakefield, published in 1766, is a short novel narrated by Dr Charles Primrose, a good-hearted, learned and somewhat vain country clergyman. He lives happily with his wife Deborah, who is proud of her housekeeping and ambitious for her daughters, and their six children, including the eldest son George, the beautiful Olivia, the gentle Sophia and the simple Moses. Disaster strikes when the merchant who holds his money goes bankrupt, and the family must move to a poorer parish, where Primrose farms land rented from the young Squire Thornhill. A poor but wise gentleman, Mr Burchell, befriends them and rescues Sophia from drowning. Mrs Primrose's hopes of marrying her daughters above their station lead to comic episodes: the family portrait painted so large it will not fit through the door, Moses sent to market to sell a colt who comes home with a gross of green spectacles, and the vicar himself cheated in turn by the same swindler, Ephraim Jenkinson. More serious troubles follow. The squire seduces Olivia through what she believes is a marriage, and she runs away with him. The vicar searches for her, meets George, now a wandering player, and finally finds Olivia abandoned at an inn and brings her home in forgiveness. Their house burns down, and when the vicar refuses to approve the squire's marriage to another woman, he is thrown into debtors' prison. There, ill and grieving, he preaches to the prisoners and reforms them, and delivers a sermon on the justice of Providence and the hope of heaven. Then everything turns: Burchell is revealed as Sir William Thornhill, the squire's wise uncle; Jenkinson reveals that he procured a real marriage licence, so Olivia is the squire's lawful wife; George marries his sweetheart Arabella Wilmot; Sophia marries Sir William; and the vicar's fortune is restored. Goldsmith's novel, sold for him by Samuel Johnson, according to Boswell, to save him from arrest for debt, became one of the most loved books of the eighteenth and nineteenth centuries, praised for its picture of a Christian family's patience under trials, its gentle humour and its sentimental warmth, even if its happy ending is deliberately improbable.

Virtues in this work

  • Fortitude: The vicar bears ruin, fire and prison without despair.
  • Charity: He forgives Olivia and his enemies and ministers to prisoners.
  • Humility: His vanity is gently exposed and humbled.

Plot or Argument

  • Chapters I-III: prosperity and ruin

    The vicar's happy family loses its fortune and moves to a humble parish.

  • Chapters IV-XVI: the new parish

    Mr Burchell, Squire Thornhill, the family portrait, Moses and the green spectacles.

  • Chapters XVII-XXII: Olivia's fall

    The squire elopes with Olivia; the vicar searches for her and brings her home.

  • Chapters XXIII-XXIX: prison

    The house burns; the vicar is imprisoned for debt, preaches to the prisoners and gives his sermon on Providence.

  • Chapters XXX-XXXII: restoration

    Burchell is Sir William Thornhill; Olivia's marriage proves valid; all are restored.

Characters

  • Dr Charles Primrose, narrator

    The kindly, learned, slightly vain vicar.

  • Deborah Primrose, wife

    His wife, a proud housekeeper ambitious for her daughters.

  • Olivia, daughter

    The lively elder daughter seduced by the squire.

  • Sophia, daughter

    The gentle younger daughter who marries Sir William.

  • George, son

    The eldest son, a wandering scholar and player.

  • Moses, son

    The bookish son cheated at the fair.

  • Squire Thornhill, villain

    The vicar's landlord, a rake.

  • Mr Burchell / Sir William Thornhill, benefactor

    The squire's wise uncle in disguise.

  • Ephraim Jenkinson, rogue

    A swindler who reforms in prison.

Lessons

  • Patience under trial

    Like Job, the vicar loses wealth, home, health and freedom but keeps his faith.

    • List the vicar's losses.
    • Compare his prison sermon with Job 1:21.
    • Is his patience heroic or passive?
  • Vanity and ambition

    Mrs Primrose's social climbing leads to comic and serious trouble.

    • Which episodes mock the family's vanity?
    • How does ambition make Olivia vulnerable?
    • What does the vicar learn about himself?
  • Forgiveness

    The vicar receives his fallen daughter home and forgives his enemies.

    • How does he greet Olivia?
    • Compare the parable of the prodigal son.
    • Why does he refuse to approve the squire's new marriage?

Context

Written about 1761-62 in London amid Goldsmith's hack work; it reflects Anglican rural life, debtors' prisons and the Georgian marriage market. The 1753 Marriage Act had made clandestine marriages invalid.

Composition

Sold to the bookseller Francis Newbery (by Boswell's account, through Johnson's intervention) and published in 1766.

Reception

Hugely popular, translated widely and admired by Goethe; Victorian readers loved it as a family classic.

Comparisons

Quotes

For Students

A reading companion for classical Christian high school students. See the student guide.

Reading Guide

Watch for

  • The vicar's gentle vanity as narrator.
  • Comic episodes of family pride.
  • Mr Burchell's hints about his identity.
  • The prison sermon in Chapter XXIX.
  • The improbable happy ending.

Key terms and names

Vicar
A parish priest of the Church of England.
Debtors' prison
A gaol where those who could not pay debts were held.
Sentimental novel
An eighteenth-century novel valuing feeling, sympathy and virtue in distress.
Providence
God's care and governance of the world.
Monogamist
The vicar's term for his belief that a clergyman should marry only once.

Seminar Questions

  1. Comprehension How does the vicar lose his fortune?
  2. Comprehension Who is Mr Burchell really?
  3. Interpretation How does the vicar's vanity contribute to the family's troubles?
  4. Interpretation What does the prison sermon say about suffering and happiness?
  5. Interpretation Why might Goldsmith make the happy ending so improbable?
  6. Big Question Does God reward patience in this life, or only in the next?

Faith Connections

  • Job 1:21 (Scripture)

    The Lord gave, and the Lord hath taken away; blessed be the name of the Lord.

  • Luke 15:20 (Scripture)

    The father ran to meet the prodigal son, as the vicar receives Olivia.

  • Matthew 25:36 (Scripture)

    I was in prison, and ye came unto me: the vicar's ministry to prisoners.

Logic and Rhetoric

Central argument: A good but vain clergyman loses fortune, home, daughter and freedom; he meets each trial with faith, forgiveness and charity, even ministering in prison; and Providence restores what was lost, so the novel shows patience under suffering vindicated.

Rhetorical device: first-person narrator. The vicar's self-revealing narration lets the reader smile at his vanity while admiring his goodness.

Debate: Resolved: that the vicar's patience is a virtue, not weakness.

Memory Work

I was ever of opinion, that the honest man who married and brought up a large family, did more service than he who continued single, and only talked of population.

Chapter I. A famous comic opening sentence.

The man recovered of the bite, The dog it was that dy’d.

Chapter XVII. The twist of the mad-dog elegy.

Writing Prompts

Essay: How does Goldsmith combine comedy and Christian teaching in The Vicar of Wakefield?

Comparison with Pride and Prejudice: Compare Olivia's elopement with Lydia Bennet's and how each family responds.

Creative Prompts

  • Essay

    Is the vicar a Christian hero or a comic figure? Use the prison chapters.

  • Dialogue

    Write the conversation when the vicar finds Olivia at the inn.

  • Classroom

    Stage the family portrait scene or Moses at the fair.

Further Reading

  • The Book of Job, Scripture

    The model of patience under trial.

  • The Life of Samuel Johnson, James Boswell

    Includes the story of the novel's sale.

Verification notes

Text from Gutenberg #2667. The anecdote of Johnson selling the manuscript is from Boswell and slightly uncertain in detail. HS note: Olivia's seduction by sham marriage is handled discreetly; Olivia's song suggests death as atonement, which the novel answers with forgiveness.

No verification flags recorded.