The Taming of the Shrew is a play within a play. In the Induction, the drunken tinker Christopher Sly is thrown out of an alehouse and falls asleep on the heath.
Author
William Shakespeare
· English playwright, poet, and actor from Stratford-upon-Avon

Frequently Cited
“The course of true love never did run smooth”
“Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head”
“Finds tongues in trees, books in the running brooks, Sermons in stones, and good in everything.”
“All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts”
“Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.”
“Love is merely a madness, and, I tell you, deserves as well a dark house and a whip as madmen do”
“Men have died from time to time and worms have eaten them, but not for love.”
“I know you all, and will awhile uphold The unyok’d humour of your idleness.”
“By Heaven, methinks it were an easy leap To pluck bright honour from the pale-faced moon”
“Banish plump Jack, and banish all the world.”
“tell truth, and shame the devil”
“Honour hath no skill in surgery then? No. What is honour? A word.”
“The better part of valour is discretion”
“Beware the Ides of March”
“The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings”
“Yond Cassius has a lean and hungry look; He thinks too much: such men are dangerous”
“Cowards die many times before their deaths; The valiant never taste of death but once”
“Not that I loved Caesar less, but that I loved Rome more”
“Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him”
“The evil that men do lives after them, The good is oft interred with their bones”
“There is a tide in the affairs of men, Which, taken at the flood, leads on to fortune”
“This was the noblest Roman of them all”
“Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil that men do lives after them, The good is oft interred with their bones;”
“For Brutus is an honourable man, So are they all, all honourable men,”
“If you have tears, prepare to shed them now.”
“This was the most unkindest cut of all;”
“There is a kind of merry war betwixt Signior Benedick and her; they never meet but there’s a skirmish of wit between them.”
“the world must be peopled. When I said I would die a bachelor, I did not think I should live till I were married.”
“I love you with so much of my heart that none is left to protest.”
“O that he were here to write me down an ass!”
“I am not what I am.”
“She lov’d me for the dangers I had pass’d, And I lov’d her that she did pity them.”
“O God, that men should put an enemy in their mouths to steal away their brains!”
“O, beware, my lord, of jealousy; It is the green-ey’d monster which doth mock The meat it feeds on.”
“Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow’dst yesterday.”
“Of one that loved not wisely, but too well;”
“Now is the winter of our discontent Made glorious summer by this son of York”
“I am determined to prove a villain”
“Was ever woman in this humour wooed? Was ever woman in this humour won?”
“My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain.”
“A horse! A horse! My kingdom for a horse!”
“A pair of star-cross’d lovers take their life”
“But soft, what light through yonder window breaks? It is the east, and Juliet is the sun!”
“What’s in a name? That which we call a rose By any other name would smell as sweet”
“These violent delights have violent ends”
“A plague o’ both your houses.”
“Thy drugs are quick. Thus with a kiss I die.”
“Let me not to the marriage of true minds Admit impediments.”
“Love is not love Which alters when it alteration finds, Or bends with the remover to remove:”
“Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come;”
“If this be error and upon me prov’d, I never writ, nor no man ever lov’d.”
“I to the world am like a drop of water That in the ocean seeks another drop, Who, failing there to find his fellow forth, Unseen, inquisitive, confounds himself.”
“Am I in earth, in heaven, or in hell? Sleeping or waking, mad, or well-advis’d?”
“The venom clamours of a jealous woman Poisons more deadly than a mad dog’s tooth.”
“We came into the world like brother and brother, And now let’s go hand in hand, not one before another.”
“In sooth I know not why I am so sad”
“The devil can cite Scripture for his purpose.”
“All that glisters is not gold”
“Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?”
“If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?”
“The quality of mercy is not strain’d, It droppeth as the gentle rain from heaven Upon the place beneath.”
“If we are mark’d to die, we are enough To do our country loss; and if to live, The fewer men, the greater share of honour.”
“We few, we happy few, we band of brothers. For he today that sheds his blood with me Shall be my brother; be he ne’er so vile, This day shall gentle his condition;”
“And gentlemen in England now abed Shall think themselves accurs’d they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin’s day.”
“I come to wive it wealthily in Padua; If wealthily, then happily in Padua.”
“If I be waspish, best beware my sting.”
“This is a way to kill a wife with kindness”
“Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee”
“You taught me language, and my profit on ’t Is, I know how to curse.”
“Be not afeard. The isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not.”
“We are such stuff As dreams are made on, and our little life Is rounded with a sleep.”
“the rarer action is In virtue than in vengeance”
“O brave new world That has such people in ’t!”
“As you from crimes would pardon’d be, Let your indulgence set me free.”
“Some are born great, some achieve greatness, and some have greatness thrust upon ’em”
On this site
Richard III follows Richard, Duke of Gloucester, youngest brother of the Yorkist King Edward IV, from his first soliloquy to his death at Bosworth Field in 1485. The Wars of the Roses are over and peace has come, but Richard, born misshapen and unfit for courtship, tells the audience he has determined to prove a villain and win the crown.
The Comedy of Errors takes place in a single day in the Greek city of Ephesus, where two sets of identical twins, separated as babies, are mistaken for each other until the whole town seems bewitched. Egeon, an old merchant of Syracuse, has been arrested because the two cities are at war and any Syracusan found in Ephesus must pay a thousand marks or die.
A Midsummer Night's Dream begins in Athens with a legal crisis: Egeus demands that Hermia marry Demetrius, while Hermia loves Lysander and faces punishment under Theseus's law. The lovers flee into the wood, followed by Demetrius and Helena, and the play transfers civic conflict into a night world governed by Oberon, Titania, Puck, and the flower whose juice alters desire.
Romeo and Juliet is a tragedy of two young lovers from feuding families in Verona, compressed by Shakespeare into about four days. A sonnet Prologue announces that a pair of star-crossed lovers will end their parents' strife by their deaths.
The Merchant of Venice joins two stories, a bond for a pound of flesh and a lottery of caskets, and moves between the commercial city of Venice and Belmont, the country estate of the heiress Portia. Antonio, a wealthy merchant, opens the play sad without knowing why.
Henry IV, Part 1 shows King Henry IV, who took the crown from Richard II, troubled by rebellion and by his own son. In Act I the king, hoping to lead a crusade to atone for Richard's fall, hears instead of war on the Welsh and Scottish borders, and envies the Earl of Northumberland his son Harry Percy, called Hotspur, who has won a victory at Holmedon, while his own heir, Prince Hal, wastes his days in the taverns of Eastcheap with the fat old knight Sir John Falstaff.
Much Ado About Nothing is set in Messina, Sicily, where the governor Leonato welcomes Don Pedro, Prince of Aragon, and his officers home from a victorious war. With the Prince come the young Florentine lord Claudio and the witty Paduan soldier Benedick, and also the Prince's sullen half-brother Don John, lately reconciled after a rebellion.
As You Like It begins with two households divided by envy. Orlando, youngest son of the late Sir Rowland de Boys, complains to the old servant Adam that his elder brother Oliver keeps him like a peasant and denies him the education his father willed him.
Henry V follows the young King Henry, once the tavern-haunting Prince Hal, as he leads England to war with France and wins the battle of Agincourt in 1415. A Chorus opens each act, asking the audience to let their imaginations fill the small wooden theatre with the vasty fields of France.
Julius Caesar, Shakespeare's tragedy of the assassination of 44 BC, begins as Rome celebrates Caesar's triumph over the sons of Pompey. The tribunes rebuke the fickle crowd, a soothsayer warns Caesar to beware the Ides of March, and Caesar is offered a crown three times by Mark Antony and refuses it, then falls in a fit of the falling sickness.
Mark Antony's funeral oration, which opens Friends, Romans, countrymen, lend me your ears, is the turning point of Shakespeare's Julius Caesar (1599). Caesar has been stabbed to death in the Capitol by Brutus, Cassius and the other conspirators.
The St Crispin's Day speech is King Henry's address to his nobles in Act 4, Scene 3 of Shakespeare's Henry V, first performed in 1599. It is set on the morning of 25 October 1415 at Agincourt in northern France, where a small English army, worn down by sickness and a long march, faces a much larger French host.
Hamlet opens on the battlements of Elsinore, where sentries and the scholar Horatio see the ghost of the late King Hamlet of Denmark. Prince Hamlet, called home from university at Wittenberg for his father's funeral, is grieving and disgusted that his mother Gertrude has married his uncle Claudius, now king, within two months.
Twelfth Night begins with shipwreck, loss, and disguise. Viola believes her brother Sebastian drowned, enters Illyria as Cesario, and serves Duke Orsino, who sends her to woo Olivia.
Othello is the tragedy of a Moorish general in the service of Venice who is brought, step by step, to murder the wife who loves him. The play opens at night in a Venetian street, where the ensign Iago, furious that Othello has promoted the Florentine Michael Cassio over him, rouses the senator Brabantio with crude news that his daughter Desdemona has eloped with the Moor.
King Lear begins with a political and familial error: Lear divides Britain according to a public love test, accepts the fluent flattery of Goneril and Regan, rejects Cordelia's plain truth, and banishes Kent for trying to correct him. The abdication leaves Lear with the name of king but without the substance of rule, and the tragedy strips away retinue, shelter, authority, sanity, and finally family.
Macbeth opens on a Scottish heath where three witches plan to meet Macbeth. Returning from victory over rebels and Norwegian invaders, Macbeth and his fellow general Banquo meet the witches, who hail Macbeth as Thane of Glamis, Thane of Cawdor and future king, and tell Banquo that his descendants will be kings.
Sonnet 116 is Shakespeare's most famous definition of love, and it works by saying first what love is not. The speaker opens with a phrase borrowed from the church's marriage service: he will not admit impediments to the marriage of true minds.
Shakespeare's Sonnets is a sequence of 154 fourteen-line poems, nearly all in the form now named after him: three quatrains rhyming abab cdcd efef and a closing couplet gg, in iambic pentameter. The sequence has no plot in the ordinary sense, but readers since the eighteenth century have traced a loose story.
The Tempest opens with a ship breaking apart in a storm off a remote island. On shore, the magician Prospero tells his fifteen-year-old daughter Miranda that he was once Duke of Milan.