The Oresteia follows the House of Atreus from inherited blood guilt to the foundation of civic justice. Agamemnon opens at Argos, where a watchman sees the beacon announcing Troy’s fall.
Genre
Drama
Medea and Other Plays centers on Euripides’ art of making the socially powerless terrifyingly articulate. Medea begins after Jason has abandoned his foreign wife and children to marry the Corinthian princess.
The Theban Plays collects Sophocles’ tragedies about Oedipus and his children: Oedipus the King, Oedipus at Colonus and Antigone. They were not written as a trilogy, but together they form the most influential family disaster in Western drama.
This volume gathers three Euripides plays about what the Trojan War left behind: The Trojan Women and Iphigenia in Tauris in Gilbert Murray's rhyming verse, and Hecuba in Michael Wodhull's blank verse of 1782. The Trojan Women opens on the smoking ruins of Troy.
This volume collects three of Aristophanes' comedies (contents vary by edition; a long-standing selection is The Acharnians, The Clouds and Lysistrata). The Acharnians (425 BCE), the earliest surviving comedy, is set in the sixth year of the Peloponnesian War.
This volume completes the library's surviving plays of Euripides with eleven works in Edward P. Coleridge's prose translation of 1891. Iphigenia in Aulis, produced after the poet's death in 405 BC, opens at night on the shore of Aulis, where the Greek fleet is held back by windless weather.
The Bacchae and Other Plays presents Euripides at his most dangerous: gods are real, but that does not make them gentle. The Bacchae begins when Dionysus arrives at Thebes in disguise to punish the royal house for denying his divinity and slandering his mother Semele.
The Taming of the Shrew is a play within a play. In the Induction, the drunken tinker Christopher Sly is thrown out of an alehouse and falls asleep on the heath.
Richard III follows Richard, Duke of Gloucester, youngest brother of the Yorkist King Edward IV, from his first soliloquy to his death at Bosworth Field in 1485. The Wars of the Roses are over and peace has come, but Richard, born misshapen and unfit for courtship, tells the audience he has determined to prove a villain and win the crown.
The Comedy of Errors takes place in a single day in the Greek city of Ephesus, where two sets of identical twins, separated as babies, are mistaken for each other until the whole town seems bewitched. Egeon, an old merchant of Syracuse, has been arrested because the two cities are at war and any Syracusan found in Ephesus must pay a thousand marks or die.
A Midsummer Night's Dream begins in Athens with a legal crisis: Egeus demands that Hermia marry Demetrius, while Hermia loves Lysander and faces punishment under Theseus's law. The lovers flee into the wood, followed by Demetrius and Helena, and the play transfers civic conflict into a night world governed by Oberon, Titania, Puck, and the flower whose juice alters desire.
Romeo and Juliet is a tragedy of two young lovers from feuding families in Verona, compressed by Shakespeare into about four days. A sonnet Prologue announces that a pair of star-crossed lovers will end their parents' strife by their deaths.
The Merchant of Venice joins two stories, a bond for a pound of flesh and a lottery of caskets, and moves between the commercial city of Venice and Belmont, the country estate of the heiress Portia. Antonio, a wealthy merchant, opens the play sad without knowing why.
Henry IV, Part 1 shows King Henry IV, who took the crown from Richard II, troubled by rebellion and by his own son. In Act I the king, hoping to lead a crusade to atone for Richard's fall, hears instead of war on the Welsh and Scottish borders, and envies the Earl of Northumberland his son Harry Percy, called Hotspur, who has won a victory at Holmedon, while his own heir, Prince Hal, wastes his days in the taverns of Eastcheap with the fat old knight Sir John Falstaff.
Much Ado About Nothing is set in Messina, Sicily, where the governor Leonato welcomes Don Pedro, Prince of Aragon, and his officers home from a victorious war. With the Prince come the young Florentine lord Claudio and the witty Paduan soldier Benedick, and also the Prince's sullen half-brother Don John, lately reconciled after a rebellion.
As You Like It begins with two households divided by envy. Orlando, youngest son of the late Sir Rowland de Boys, complains to the old servant Adam that his elder brother Oliver keeps him like a peasant and denies him the education his father willed him.
Henry V follows the young King Henry, once the tavern-haunting Prince Hal, as he leads England to war with France and wins the battle of Agincourt in 1415. A Chorus opens each act, asking the audience to let their imaginations fill the small wooden theatre with the vasty fields of France.
Julius Caesar, Shakespeare's tragedy of the assassination of 44 BC, begins as Rome celebrates Caesar's triumph over the sons of Pompey. The tribunes rebuke the fickle crowd, a soothsayer warns Caesar to beware the Ides of March, and Caesar is offered a crown three times by Mark Antony and refuses it, then falls in a fit of the falling sickness.
Mark Antony's funeral oration, which opens Friends, Romans, countrymen, lend me your ears, is the turning point of Shakespeare's Julius Caesar (1599). Caesar has been stabbed to death in the Capitol by Brutus, Cassius and the other conspirators.
The St Crispin's Day speech is King Henry's address to his nobles in Act 4, Scene 3 of Shakespeare's Henry V, first performed in 1599. It is set on the morning of 25 October 1415 at Agincourt in northern France, where a small English army, worn down by sickness and a long march, faces a much larger French host.
Hamlet opens on the battlements of Elsinore, where sentries and the scholar Horatio see the ghost of the late King Hamlet of Denmark. Prince Hamlet, called home from university at Wittenberg for his father's funeral, is grieving and disgusted that his mother Gertrude has married his uncle Claudius, now king, within two months.
Twelfth Night begins with shipwreck, loss, and disguise. Viola believes her brother Sebastian drowned, enters Illyria as Cesario, and serves Duke Orsino, who sends her to woo Olivia.
Othello is the tragedy of a Moorish general in the service of Venice who is brought, step by step, to murder the wife who loves him. The play opens at night in a Venetian street, where the ensign Iago, furious that Othello has promoted the Florentine Michael Cassio over him, rouses the senator Brabantio with crude news that his daughter Desdemona has eloped with the Moor.
King Lear begins with a political and familial error: Lear divides Britain according to a public love test, accepts the fluent flattery of Goneril and Regan, rejects Cordelia's plain truth, and banishes Kent for trying to correct him. The abdication leaves Lear with the name of king but without the substance of rule, and the tragedy strips away retinue, shelter, authority, sanity, and finally family.
Macbeth opens on a Scottish heath where three witches plan to meet Macbeth. Returning from victory over rebels and Norwegian invaders, Macbeth and his fellow general Banquo meet the witches, who hail Macbeth as Thane of Glamis, Thane of Cawdor and future king, and tell Banquo that his descendants will be kings.
The Tempest opens with a ship breaking apart in a storm off a remote island. On shore, the magician Prospero tells his fifteen-year-old daughter Miranda that he was once Duke of Milan.
The Misanthrope and Other Plays collects several of Molière's comedies; the edition translated by John Wood and David Coward includes The Misanthrope, The Sicilian, Tartuffe, A Doctor in Spite of Himself and The Imaginary Invalid. Together they show the range of Molière's art, from the verse comedy of character to farce, and his satire of hypocrisy, pretension and medicine.
Faust, Part One opens with three frames: a verse Dedication, a Prelude at the Theatre in which a Manager, a Poet and a comic actor argue about what a play should be, and a Prologue in Heaven modelled on the Book of Job. There Mephistopheles mocks mankind, and the Lord permits him to tempt Doctor Faust, saying that man errs as long as he strives but that a good man keeps an instinct of the right way.
The title play, A Doll's House (1879), takes place over three days of Christmas in the comfortable Norwegian home of Torvald Helmer, a newly appointed bank manager, and his wife Nora, whom he treats as a charming pet, calling her his songbird and squirrel. Years earlier, when Torvald was gravely ill and doctors advised a year in Italy, Nora secretly borrowed the money from the lawyer Krogstad, forging her dying father's signature as guarantor.
Cyrano de Bergerac is Edmond Rostand's five-act verse play about a seventeenth-century Gascon soldier, poet and swordsman whose enormous nose convinces him that no woman could love him. Act I opens in 1640 at the Hôtel de Bourgogne theatre in Paris.
Uncle Vanya, subtitled Scenes from Country Life, takes place over a few months on a provincial Russian estate. For twenty-five years Ivan Petrovich Voitski, Uncle Vanya, has managed the property with his niece Sonia, sending its income to her father, Professor Alexander Serebrakoff, the widower of Vanya's sister, whom Vanya once revered as a great scholar.
This volume, published in New York in 1922 as Three Plays, brought Pirandello's theatre to English readers. It contains Six Characters in Search of an Author (1921) and Henry IV (1922), both translated by Edward Storer, and Right You Are!
Saint Joan is Shaw's chronicle play in six scenes and an epilogue about Joan of Arc, the peasant girl from Domrémy who led the French against the English in the Hundred Years' War. In Scene I, set in 1429 at the castle of Vaucouleurs, the blustering squire Robert de Baudricourt is talked by Joan, and by his own officer Poulengey, into giving her a horse and an escort to the Dauphin; when she leaves, the hens that had stopped laying begin again.
Mourning Becomes Electra is a trilogy of plays that moves Aeschylus's Oresteia to a New England seaport town in 1865-1866, at the end of the American Civil War. The Greek house of Atreus becomes the Mannons, a proud Puritan family of shipowners and judges whose white-columned mansion, built like a Greek temple, stands apart from the town.
Our Town presents Grover's Corners, New Hampshire, through three acts named Daily Life, Love and Marriage, and Death and Eternity. The Stage Manager introduces streets, families, dates, statistics, church steeples, milk deliveries, schoolbooks, and weather with almost no scenery, making the ordinary visible by stripping theater to gesture, voice, and memory.
Mother Courage and Her Children follows Anna Fierling, a canteen woman nicknamed Mother Courage, who hauls her covered wagon behind the armies of the Thirty Years' War selling food, drink, boots and belts to soldiers. The play covers twelve years, from 1624 to 1636, in twelve scenes, each introduced by a written caption that tells the audience in advance what will happen.
No Exit and Three Other Plays is an American collection of four of Jean-Paul Sartre's plays from the years of the German occupation and just after it, in which his philosophy of freedom and responsibility is worked out on the stage. Stuart Gilbert translated No Exit and The Flies, and Lionel Abel translated Dirty Hands and The Respectful Prostitute.
Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem covers the last twenty-four hours or so of Willy Loman, a sixty-three-year-old travelling salesman, interwoven with his memories and imaginings of the past. Willy returns early to his small Brooklyn house, now hemmed in by apartment buildings, because he can no longer keep the car on the road: his mind keeps drifting.
Waiting for Godot is a play in two acts by Samuel Beckett, written in French as En attendant Godot between late 1948 and early 1949, published by Les Éditions de Minuit in 1952, and first staged at the small Théâtre de Babylone in Paris on 5 January 1953, directed by Roger Blin. Beckett's own English translation, subtitled a tragicomedy in two acts, was published by Grove Press in New York in 1954.
Twelve Angry Men takes place almost entirely in a jury room after a murder trial. Twelve male jurors must decide whether a young defendant is guilty of killing his father; a guilty verdict will mean death.
A View from the Bridge is set among the Italian-American longshoremen of Red Hook, Brooklyn, in the shadow of the Brooklyn Bridge, and is framed by the commentary of Alfieri, a neighbourhood lawyer who acts as a chorus and who knows from the start that the story will end in blood. Eddie Carbone, a hard-working dock labourer, lives with his wife Beatrice and her orphaned niece Catherine, whom they have raised.