The Epic of Gilgamesh is the great poem of ancient Mesopotamia, known in its fullest form from the standard Babylonian version on clay tablets, many of them from the library of the Assyrian king Ashurbanipal at Nineveh. The library holds no text of it: the public-domain English versions, by Stephen Langdon (1917), Morris Jastrow and Albert T. Clay (1920) and R. Campbell Thompson (1928), are fragmentary scholarly editions of a poem still being recovered, so this record describes the epic without quoting it.
Era
Ancient
Psalm 23 is a six-verse song of trust, headed in the Hebrew Psalter as a psalm of David and placed in the first book of Psalms, between the anguished cry of Psalm 22 and the processional hymn of Psalm 24. Its speaker never asks for anything.
The Bible is the sacred scripture of Judaism and Christianity, and the reference edition presents the King James Version of 1611, the most influential translation in English. It is a library rather than a single book.
The Iliad tells of a few weeks in the tenth year of the Greek siege of Troy, and its subject, announced in the first line, is the wrath of Achilles. A plague sent by Apollo ravages the Greek camp because Agamemnon, commander of the Achaeans, has refused to return the captive daughter of Apollo's priest Chryses.
The Odyssey tells the story of Odysseus's long return from Troy to Ithaca and of the household that must survive his absence. The poem opens not with Odysseus but with disorder: his son Telemachus is growing up under the pressure of suitors who consume the estate and demand that Penelope choose a new husband.
Hesiod's two complete poems are the oldest Greek attempts to explain, in verse, where the gods came from and how a man ought to live under them. Both are in dactylic hexameter, the meter of Homer, and both begin with the Muses.
The Homeric Hymns are a collection of thirty-three anonymous Greek poems addressed to the gods, composed in the same dactylic hexameter and formulaic language as the Iliad and Odyssey. Ancient audiences treated many of them as Homer's own; most scholars now see them as the work of different singers over a long period, with the four great narrative hymns usually dated to the archaic age and some short pieces much later.
Aesop's Fables are short animal tales that turn ordinary encounters—a wolf and a lamb, a lion and a mouse, ants and a grasshopper—into clear morals about justice, prudence, gratitude, and folly. The Greek slave Aesop is the traditional name attached to a body of stories that circulated orally and in later collections; what survives for English readers is a tradition of brief narratives ending in a pointed lesson.
Heraclitus's book does not survive; what remains are roughly 130 short sayings preserved as quotations by later authors such as Plato, Aristotle, Plutarch, Sextus Empiricus, Clement of Alexandria, Hippolytus and Diogenes Laertius. Modern editions number them according to Hermann Diels and Walther Kranz (DK), and the reference edition presents them in a fresh translation with commentary.
The Art of War is a short treatise of thirteen chapters, around six thousand Chinese characters, written as a sequence of terse sayings introduced by the formula 'Sun Tzu said'. It begins by declaring war a matter of life and death for the state, to be studied through five constant factors: the moral law that binds people to their ruler, heaven (weather and seasons), earth (terrain and distance), the commander's qualities, and method and discipline.
The Oresteia follows the House of Atreus from inherited blood guilt to the foundation of civic justice. Agamemnon opens at Argos, where a watchman sees the beacon announcing Troy’s fall.
Medea and Other Plays centers on Euripides’ art of making the socially powerless terrifyingly articulate. Medea begins after Jason has abandoned his foreign wife and children to marry the Corinthian princess.
Pericles' Funeral Oration is the speech that the Athenian statesman Pericles delivered in the winter of 431/430 BC at the public burial of the citizens who had died in the first year of the Peloponnesian War against Sparta. It survives only in the History of Thucydides, who heard Pericles speak and who says of the speeches in his work that he kept as close as he could to the general sense of what was actually said.
The History of the Peloponnesian War is Thucydides’ unfinished account of the war between Athens and Sparta from 431 to 411 BCE. Unlike Herodotus’ broad storytelling, Thucydides narrows his gaze to power, fear, interest, decision and the deterioration of civic language under pressure.
The Histories is the first great work of prose history in the Western tradition, an inquiry (historia) into the causes and course of the wars between the Greeks and the Persian Empire. Herodotus states his purpose in the opening: to preserve the memory of great and marvellous deeds of Greeks and barbarians, and especially the reason why they fought one another.
The Theban Plays collects Sophocles’ tragedies about Oedipus and his children: Oedipus the King, Oedipus at Colonus and Antigone. They were not written as a trilogy, but together they form the most influential family disaster in Western drama.
This volume gathers three Euripides plays about what the Trojan War left behind: The Trojan Women and Iphigenia in Tauris in Gilbert Murray's rhyming verse, and Hecuba in Michael Wodhull's blank verse of 1782. The Trojan Women opens on the smoking ruins of Troy.
This volume collects three of Aristophanes' comedies (contents vary by edition; a long-standing selection is The Acharnians, The Clouds and Lysistrata). The Acharnians (425 BCE), the earliest surviving comedy, is set in the sixth year of the Peloponnesian War.
This volume completes the library's surviving plays of Euripides with eleven works in Edward P. Coleridge's prose translation of 1891. Iphigenia in Aulis, produced after the poet's death in 405 BC, opens at night on the shore of Aulis, where the Greek fleet is held back by windless weather.
The Bacchae and Other Plays presents Euripides at his most dangerous: gods are real, but that does not make them gentle. The Bacchae begins when Dionysus arrives at Thebes in disguise to punish the royal house for denying his divinity and slandering his mother Semele.
Hippocratic Writings is not a single book but a library of early Greek medicine: case histories, ethical rules, theoretical essays, surgical manuals, dietetic advice, aphorisms and polemics against rival healers. Its strongest works begin from the sickbed.
The Last Days of Socrates gathers four dialogues by Plato that together tell the story of Socrates' trial and death in Athens in 399 BCE: the Euthyphro, the Apology, the Crito and the Phaedo. In the Euthyphro, Socrates meets Euthyphro outside the court where Socrates must answer an indictment for impiety and corrupting the young.
The Meno opens without any scene-setting. Meno, a rich young Thessalian from Pharsalus who has studied with the orator Gorgias, asks Socrates whether virtue comes by teaching, by practice, by nature, or in some other way.
The Symposium is a framed dialogue about eros, memory and ascent. Apollodorus repeats what Aristodemus told him about a banquet at Agathon’s house after the poet’s tragic victory.
The Republic begins with a question that never stays small: what is justice, and is the just life happier than the unjust? Socrates meets Cephalus, Polemarchus, Thrasymachus, Glaucon and Adeimantus in the Piraeus.
This volume pairs one of Plato's most literary dialogues with two letters attributed to him. The Phaedrus takes place outside the walls of Athens, where Socrates, who rarely leaves the city, walks with the young Phaedrus along the river Ilissus and sits under a plane tree on a hot summer day.
The Persian Expedition, known in Greek as the Anabasis or 'march up-country', is Xenophon's account of the campaign of 401–399 BCE in which about ten thousand Greek mercenaries followed Cyrus the Younger into Mesopotamia and then fought their way home. Cyrus, younger son of Darius II, gathers an army in Sardis on the pretext of a war against Pisidian raiders, while his real aim is to unseat his brother, King Artaxerxes II.
The Statesman (Politikos) is one of Plato's late dialogues, usually dated to the 360s or 350s BC. It continues the conversation of the Sophist, held the day before: a visitor from Elea, a follower of Parmenides, has defined the sophist, and now, at Socrates' request, he undertakes to define the statesman or king.
Timaeus offers Plato's most elaborate cosmological account, framed by Socrates' wish to see the ideal city in motion and Critias's story of ancient Athens and Atlantis. Timaeus then delivers a likely story about the cosmos, not a demonstration with mathematical certainty.
De Anima asks what soul is by beginning with the observable powers of living things. Aristotle reviews earlier accounts from thinkers such as Democritus, Empedocles, Anaxagoras, and Plato, then rejects explanations that make soul either a wandering body, a harmony, or a separate passenger inside the organism.
Politics examines the polis as the community ordered toward living well. Aristotle begins with the household, including relations of master and slave, husband and wife, parent and child, and then argues that the city exists by nature because human beings possess speech about justice and advantage.
This volume joins two treatises by Aristotle that together set out what scientific knowledge is and how the natural world is to be understood. The Posterior Analytics, in two books, belongs to the logical works later grouped as the Organon.
The Laws is Plato's last and longest dialogue, twelve books of conversation in which three elderly men design the constitution and legal code of a new city. On a midsummer day an unnamed Athenian Stranger walks from Knossos toward the cave and shrine of Zeus with Cleinias, a Cretan, and Megillus, a Spartan.
The Nicomachean Ethics asks what the human good is and how a life can be shaped toward it. Aristotle begins from the idea that every craft, inquiry and action aims at some good, and that the highest practical good is eudaimonia, often translated happiness or flourishing.
The Poetics is Aristotle's short treatise on the art of poetry, chiefly tragedy and epic, and the oldest surviving work of literary theory in the West. It opens by defining all poetry, together with music and dance, as imitation (mimesis), and by distinguishing the arts according to the medium of imitation (rhythm, language, melody), the objects imitated (people better than us, worse, or like us), and the manner (narration or enactment).
The Athenian Constitution (Athenaion Politeia) is a short treatise in two parts on the government of Athens, written in the 330s or 320s BC by Aristotle or by a member of his school as one of the 158 constitutions the Lyceum is said to have collected. It was known only from quotations until a papyrus roll, copied on the back of farm accounts from Roman Egypt, was acquired by the British Museum and identified by Frederic G. Kenyon, who published the text and his translation in 1891.
Characters is a collection of brief sketches of recognizable social types: the dissembler, flatterer, chatterer, boor, complaisant man, reckless man, tactless man, mean man, show-off, coward, oligarchic sympathizer, late learner, slanderer and many others. Each sketch begins with a definition and then offers small scenes in which the type reveals himself through repeated behavior.
Book I of Euclid's Elements, composed at Alexandria around 300 BCE, is the opening of the most widely studied mathematics textbook in history. It builds the geometry of straight lines, angles, triangles and parallelograms from a short list of starting points, and it ends with the theorem now named for Pythagoras and its converse.
The Ramayana, the story of Rama's journey, is one of the two great Sanskrit epics of India, attributed to the sage Valmiki and composed in the sloka couplet. It opens with a frame: Valmiki asks the sage Narada whether any man on earth is perfectly virtuous, hears the life of Rama, and, moved to pity when a fowler shoots one of a pair of curlews, utters the first sloka; the god Brahma then bids him tell the whole tale.
The Argonautica is the one full Greek epic of the voyage of the Argo that survives from antiquity, composed in four books of dactylic hexameter by the Alexandrian scholar-poet Apollonius of Rhodes in the third century BC. King Pelias of Iolcus, warned by an oracle to beware a man wearing one sandal, sees Jason arrive having lost a sandal in the river Anaurus, and sends him to fetch the golden fleece from Colchis at the far end of the Black Sea.
The Method, known in Greek as the Ephodos and translated in the library text as Geometrical Solutions Derived from Mechanics, is a letter from Archimedes of Syracuse to Eratosthenes, the head of the Library at Alexandria. In it Archimedes does something almost unique in ancient mathematics: he explains how he found his results before he proved them.
The Bhagavad Gita is a dialogue of seven hundred verses in eighteen chapters, forming part of the sixth book of the Mahabharata, the great Sanskrit epic of the war between two branches of a royal family, the Pandavas and the Kauravas. It is set on the battlefield of Kurukshetra at the moment before battle begins.
The Book of Enoch, usually called 1 Enoch, is a collection of five Jewish apocalyptic books gathered under the name of Enoch, the patriarch of Genesis 5 who walked with God and was not, for God took him. Written in stages during the Second Temple period, it presents Enoch as a righteous scribe who is shown the secrets of heaven, earth and the coming judgment and writes them down for his son Methuselah and for a remote generation.
The Arthashastra, the 'science of material gain' or of statecraft, is a vast Sanskrit treatise on how a king should acquire, protect and govern territory. Written mostly in prose with occasional verses, it is divided into fifteen books and some 150 chapters, and covers almost every aspect of administration with remarkable detail and an unsentimental realism that has led to comparisons with Machiavelli.
Book VI of Polybius's Histories interrupts his narrative of the Second Punic War at its darkest moment for Rome, the defeat at Cannae in 216 BC, to explain how a city that had just lost an army could recover and, within fifty-three years, bring nearly the whole known world under its power. His answer is the Roman constitution.
The First Oration Against Catiline is the speech Cicero, as consul, delivered to the Roman senate on 8 November 63 BC in the temple of Jupiter Stator, with Lucius Sergius Catilina himself sitting among the senators. Catiline, twice defeated for the consulship and deep in debt, had been organizing a rising: his ally Gaius Manlius was raising an army in Etruria, and on the night of 6-7 November conspirators met at the house of Marcus Laeca, where two men undertook to murder Cicero at his morning reception.
On the Nature of the Universe, better known as De Rerum Natura, is a philosophical poem that tries to cure fear by explaining the world. Lucretius addresses Memmius and invokes Venus, then argues that religion has driven human beings to cruelty, as in the sacrifice of Iphigenia.
Cicero wrote his two dialogues on the state in the troubled 50s BC, when the Roman Republic was strained by the private power of Pompey, Caesar and Crassus. On the Commonwealth (De re publica), published in 51 BC, imitates Plato's Republic but asks what the best constitution is for a real people, and answers with Rome itself.
The Conquest of Gaul is a common English title for Caesar's Commentarii de Bello Gallico, seven books narrating his campaigns of 58 to 52 BCE, completed by an eighth book written after his death by his officer Aulus Hirtius. Each book covers one campaigning year, and Caesar speaks of himself throughout in the third person, a device that makes political self-advertisement read like a dispatch.
Caesar's Commentarii de Bello Civili, in three books, narrate the first two years of the war he fought against Pompey and the senatorial party, from January 49 BCE to the beginning of the Alexandrian war in late 48. The work is unfinished, breaking off in Alexandria, and it is the most openly political of his writings: its constant task is to show that Caesar was forced into war by a faction of personal enemies, that he repeatedly sought peace, and that he treated defeated fellow citizens with a mercy his opponents never showed.
On Duties is Cicero's last philosophical work, written in the autumn of 44 BC, in the months after the murder of Julius Caesar, and addressed as a letter in three books to his son Marcus, then studying philosophy at Athens under the Peripatetic Cratippus. Cicero follows, with freedom, the Stoic Panaetius of Rhodes, whose treatise on duty (kathēkon, Latin officium) he adapts for a Roman reader, adding examples from Roman history and from his own career.
Sallust wrote two short monographs on episodes of the late Roman Republic, each opened by a philosophical preface and each meant to show how ambition and greed were corrupting the state. The library text is the Rev. John Selby Watson's literal English version, with his argument (chapter outline) before each work and his explanatory notes after it.
The Satires of Horace and Persius brings together two Roman satiric voices separated by style, temperament and political world. Horace's Sermones, written after the civil wars and during the rise of Augustus, are conversational poems about greed, ambition, social climbing, sexual folly, legacy-hunting, literary quarrels, dinner parties and the art of living within limits.
Books I-V are the first pentad of Livy's vast history of Rome from its foundation, carrying the story from the arrival of Aeneas in Italy to the recovery of the city after the Gallic sack of about 390 BC. Livy opens with a preface that admits the earliest traditions are closer to poetry than to record, and then states his purpose: history sets before the reader examples of every kind of conduct, to be imitated or avoided, and Rome, he believes, was richer in good examples than any other state until luxury and avarice came late.
The Heroides (Heroines) is a collection of twenty-one verse letters in elegiac couplets, written as if by women of myth and legend to the men who have left, betrayed or endangered them, together with three pairs of letters exchanged between lovers. Ovid claimed to have invented the form.
The Aeneid tells how Aeneas, a Trojan survivor, travels from ruined Troy to Italy to found the lineage that will become Rome. The poem opens with storm and displacement: Juno hates the Trojans, Aeolus releases winds, and Aeneas reaches Carthage.
The Metamorphoses is a Latin poem in fifteen books of dactylic hexameter, about 12,000 lines, that strings together some 250 myths of transformation from the creation of the world to the deification of Julius Caesar and the reign of Augustus. Its unifying thread is change of form: gods, humans and nymphs become animals, plants, stones, stars and springs, usually at moments of extreme passion, violence or divine punishment.
On Medicine, or De Medicina, is the most important surviving Latin medical work before late antiquity. Celsus organizes medicine into diet, drugs and surgery, giving Roman readers a lucid account of Greek medical learning without the dense polemic of specialist schools.
De Materia Medica is an ancient pharmacopoeia: a systematic guide to plants, animals, minerals, wines, oils and manufactured preparations used as medicines. Dioscorides does not write a narrative.
Letters from a Stoic selects from Seneca’s Moral Letters to Lucilius, a sequence of philosophical letters that turn daily life into training for freedom. Seneca writes as an older adviser to a younger friend, but the letters are also exercises for himself.
The Jewish War is Josephus' account of the revolt against Rome from its Hasmonean and Herodian prehistory to the destruction of Jerusalem and the last pockets of resistance. Written after Josephus had defected to the Romans, the work tries to explain a catastrophe to several audiences at once: Jews who had survived it, Romans who had conquered, and Greek-speaking readers who needed Judean politics translated into the language of civil war, faction and providence.
Natural History: A Selection introduces one of antiquity’s great encyclopedic minds. Pliny wants to collect nature and human use together: stars, lands, peoples, animals, plants, metals, pigments, stones, medicines, marvels and technologies all belong to one vast inventory.
Jewish Antiquities is Josephus' twenty-book retelling of Jewish history from creation to the outbreak of revolt against Rome in 66 CE. It is not simply a paraphrase of the Bible, though its first half follows Genesis through the monarchy, exile and restoration.
This volume contains Tacitus' two earliest works, both written in 98 CE, soon after the assassination of the emperor Domitian. The Agricola is a biography and eulogy of the author's father-in-law, Gnaeus Julius Agricola, who died in 93.
Early Christian Writings: The Apostolic Fathers gathers short texts from Christianity’s formative generations after the apostles. The collection usually includes 1 Clement, the letters of Ignatius, Polycarp’s letter, the Martyrdom of Polycarp, the Didache, the Epistle of Barnabas, the Shepherd of Hermas, 2 Clement and fragments such as Papias or the Epistle to Diognetus, depending on edition.
The Essays volume is a selection from the Moralia, the miscellaneous body of some seventy-eight surviving treatises attributed to Plutarch, alongside his famous Lives. Where the Lives teach ethics through the example of great men, the Moralia address readers directly, offering practical moral philosophy in the form of lectures, letters, dialogues and consolations.
The Age of Alexander is a collection of nine of Plutarch's Lives covering the Greek world in the fourth and early third centuries BCE, from the decline of Sparta and Thebes through the rise of Macedon and the conquests of Alexander to the struggles of his successors. Removed from their original Roman pairings, they read as a sequence of Greek history told through character.
The Fall of the Roman Republic is a selection of six of Plutarch's Roman Lives, arranged to tell the story of the Republic's collapse in the century before Augustus: Marius, Sulla, Crassus, Pompey, Caesar and Cicero. Read in sequence, they show how military glory, personal ambition and civil war destroyed Rome's traditional government.
The Library is the only complete handbook of Greek mythology to survive from antiquity. In plain, compressed prose it tells the traditional stories of the gods and heroes in order, from the beginning of the world to the death of Odysseus, organized chiefly by family lines.
The Histories is Tacitus's narrative of the Roman Empire from 1 January AD 69 onward. It originally ran to Domitian's death in 96, but only Books I-IV and the first part of Book V survive, covering about eighteen months.
The Discourses and the Encheiridion preserve the teaching of Epictetus, a lame former slave who ran a school of Stoic philosophy at Nicopolis in western Greece in the early second century. Epictetus wrote nothing.
Plutarch’s Parallel Lives set the life of a famous Greek beside that of a famous Roman, so that each could be measured by the other. Twenty-three pairs survive, most closed by a short Comparison in which Plutarch weighs the two men, together with four single Lives: Aratus, Artaxerxes, Galba, and Otho.
The Annals of Imperial Rome narrates the Julio-Claudian empire from the death of Augustus through Tiberius, Claudius and Nero, though parts are lost. Tacitus writes history as the psychology of autocracy.
The Twelve Caesars offers biographies of Julius Caesar and the first eleven Roman emperors from Augustus through Domitian. Suetonius does not write history as Tacitus does, with sustained analysis of institutions and causation.
The Almagest is Ptolemy's complete mathematical account of the motions of the Sun, Moon, planets and fixed stars, written in Greek at Alexandria about AD 150 under the title Mathematike Syntaxis (Mathematical Compilation). Its familiar name comes from the Arabic al-majisti, from a Greek word meaning the greatest.
The Meditations, which Marcus Aurelius may have titled simply 'To Himself', is a private notebook of philosophical reflections written in Greek, probably during his military campaigns on the Danube in the 170s CE. It was not intended for publication and consists of twelve books of entries ranging from single sentences to short essays, often repeated and varied as exercises to fix principles in the mind.
The Golden Ass is a comic, erotic, violent and religious novel about curiosity transformed into degradation and salvation. Lucius, a young man fascinated by magic, travels in Thessaly, a region famous for witches.
Galen: Selected Works introduces a physician whose ambition was encyclopedic. The surviving Galenic corpus ranges from technical anatomy and pulse lore to philosophical defenses of method, from therapeutics and compound drugs to autobiography and polemic against rivals.
The Enneads collect Plotinus's treatises as arranged by his student Porphyry into six groups of nine. They do not form a continuous textbook, but they return again and again to a metaphysical pattern: all reality proceeds from the One, through Intellect, to Soul, and the philosophical life is a movement of return toward unity.
The Early Christian Creeds gathers short doctrinal texts that became durable summaries of Christian identity: baptismal symbols, conciliar formulas and later Western confessions. The Old Roman Symbol and the Apostles' Creed preserve the shape of early baptismal confession: belief in God the Father, Jesus Christ his Son, the Spirit, the church, forgiveness, resurrection and life.
The History of the Church tells the story of Christianity from the apostles to Eusebius’ own fourth-century world, where persecution gives way to imperial favor. Eusebius organizes the past through succession: bishops, teachers, heresies, writings, persecutions and martyrs.
Early Christian Lives gathers late antique biographies of saints, monks and holy figures, often including Athanasius’ Life of Antony and Jerome’s lives of Paul, Hilarion and Malchus. These works do not present biography as neutral chronology.
On the Making of Man is Gregory of Nyssa's theological anthropology, written as an extended reflection on Genesis and the claim that human beings are made in the image of God. Gregory combines scriptural exegesis, Platonizing philosophy, and late antique physiology to ask why humanity is embodied, rational, sexual, mortal, and capable of divine likeness.
Homilies on the Statues records Chrysostom preaching to Antioch during a civic emergency in 387. After unpopular imperial taxes provoked unrest, a crowd in Antioch insulted and damaged statues of Emperor Theodosius and his family.
Ammianus Marcellinus wrote his history in thirty-one books, beginning with the accession of Nerva in AD 96, where Tacitus had stopped, and ending with the Gothic victory at Adrianople in 378. The first thirteen books are lost.
The Confessions is a prayer in thirteen books addressed to God, in which Augustine recounts his life up to his mother's death and then turns to philosophical reflection on memory, time and the creation narrative of Genesis. Books I to IX are autobiographical.
Sulpitius Severus's Life of St. Martin made Martin of Tours one of the defining saints of the Latin West. The narrative begins with Martin's birth in Pannonia, upbringing in Italy, and reluctant military service.
Augustine's Homilies on the Gospel of John are pastoral expositions of one of Christianity's most theologically dense texts. Preached to a congregation rather than composed as a detached treatise, they move through John's prologue, signs, discourses, passion narrative, resurrection appearances, and final scenes with Peter and the beloved disciple.
City of God is Augustine’s monumental argument that Rome’s disaster does not discredit Christianity and that human history must be understood through two loves. The immediate occasion is the sack of Rome by Alaric in 410, after which critics blamed Christians for weakening the old gods.
Patrick's own writings are the narrow bridge between the global St. Patrick's Day figure and a real late Roman Christian voice. The Confessio begins with a self-portrait of abasement: Patrick calls himself a sinner, unlearned, rustic, and contemptible to many.